After August on Max Ink Radio

Transcript

After August on Max Ink Radio

Max Ink Radio · Sat Mar 16, 2024

Maxing on civic media, we are local music. After August, river

opines as brand new local rock here on a Saturday night for

you. Hey, if you're out there tuning around, you can listen to

Maxing live in Madison on WM DX 92 seven mad radio, you could

also listen to us anywhere you want to go with the civic

media app rocker. Get that on your phone from the play store

or any app store at maxing radio.com.

That's right, Jimmy. The pandemic is often remembered as a

negative time and surely it was, but the pandemic was also a

Kickstarter for creativity, technical streaming advancement and

bringing together new musical projects after August is one

such band performing in 2022 in Madison. They perform

original music in a new classic rock style. The five members

they're known for their award-winning songwriting, engaging

harmonies, driving rhythms and catchy riffs. Here in the studio

tonight is band leader Bob Manor and the other guys from

after August, after August, welcome to Maxing radio. Thank

you, rocker. Yeah, thanks. Tell us the other guys name. What

are you introduce yourselves, quick? All right. I am Greg

Pornberg. I am playing lead guitars on this on endeavor. We

have Dan Kennedy playing bass and Peach Mailing is on drums

and not here tonight is Sheila Shigley. She's doing some

vocalists we just heard. Yes, that's who you just heard and she's

doing some Irish gigs tonight. Her voice is fantastic. It's

amazing. Music perfectly. Second to none. Yeah. So you guys

describe yourself like new classic rock style. Do you need a

porn stash to play that? You do. Yeah. Because Jimmy just

got. We're all working on it. I'm weak from shaving the porn

stash. I'm going to dress this up for tomorrow. I'm rocking

one, too, here. Yep. Nice. You know, Bob, tell us about

after August, I mean, you know, you came about such a crazy

time. Tell us a little backstory of the band. A little back

story is Greg and I had worked on a project together during

the pandemic. And that was called tapest and it was kind of a

two man project that Dan played on it. Pete played on it, but

it was more like a, you know, just something to do during the

pandemic to pass the time. Right. And so we wrote a lot of songs

for that record. And then we decided to, you know, once the

pandemic was over, we decided to take it out and play. So we got

my wife into the band, Sheila. And we wrote some new songs. And

the whole idea with this band is that it's collaborative. We've

got, you know, multiple songwriters in the band. And we really

wanted to give everybody an opportunity to, you know, do their

thing. And then kind of create a cohesive sound. And the new

classic rock thing is like, okay, we're writing new music, but

we're influenced by a lot of classic rock, all of us. Yeah,

we're bringing guitar solos back. Right. Exactly.

I love it. Yes. And our mature age gentlemen, I really

appreciate the classic sound of the new music that's coming

out here as here's really cool. Now the new album is your first

debut album is called first sign of trouble. Was there a sign

of trouble? What's the trouble in this album here? Well, every

song I think is in a minor key for one. Someone who knows

nothing about minor keys, you know, the record is a little

dark. Okay, literally. And yeah, a lot of minor key stuff. And

there's the first sign of trouble is one of the lines and one of

the songs Sheila wrote for the band called Red Sky. And that's

on the record. So we liked that line for a title for the record.

So like fans and drummers like are wondering like, what's the

difference between a major and a minor chord? And Jimmy K's

wondering that too. Well, that's the deal with minor thirds and

major thirds. That's about it. Wow, that totally clears it up

for me. Yeah, major chords sound a little happier and minor

chords tend to touch that mood to be a little sad sometimes.

Yeah, D minor, if you watched the, the, what was it? Spinal

tab? Yeah, this is spinal tap. D minor is the saddest of all

keys. Yeah, it follows that other minor keys will also be sad.

So, you know, needless to say, we don't get invited for a lot of

wedding shows. Yeah. Well, I mean, if they're being a

realistic baby, right? Right. Right. Yeah. Well, they call us

about five years later. Hey, can you, you know, men, you just

need to a chord change. Can't guitar players do that? Yeah,

with cables. Yeah, you can do it. Yeah. Well, how do you feel

about releasing your new album in this post pandemic era? I

would say that we are, well, we're, this isn't kind of a new

sound for us. I mean, this, so it's, it's hopeful in a way, I

guess, but it's also kind of a reaction to the, to the music

that we hear out there, which, which is a little, yes, it's a

little blend at times. And so we want to, the new classic rock

really is not only just just the fact that we're bringing

guitar solos back, but it's also sort of how we approach the

recording process, which was sort of analog in nature,

digital in its format, but analog in its nature, we didn't do

a lot of auto tune on the vocals and things like that. You know,

so we really tried to capture the sound of the band in the

recording. And so when we go out and play live, you're, you're

hearing what we recorded, you know, so I think, I think, you

know, we're, we're, that we're hoping to bring that to, to

people. Do you find like a live band is in a way like less

repetitious, like because some of the, some of the music

today, you know, you record one piece of it, record another

piece of it. And then it's like repeated and, and paste, but

like, you know, in analog, like maybe the drummer doesn't play

the same, right? Phil, maybe the guitar player doesn't say

play the same riff, you know, yeah, we actually saying things

all the way through and play things all the way through, you

know, the set of cut and pasting and from, from point A to point

that's awesome. It's new classic rock. We got Bob, we got Greg,

we got Dan from after August. Their new album is called first

sign of trouble. I want to talk to you, Dan, because you're

kind of a rock star. You're kind of a big deal in the Madison

area here. I, I, before you walked in today, I had no idea

that you were in after August. I just don't pay an attention

these days, I guess. But I'm glad to see you here. I lurk in

the shadows in a lot of bands, really? You really do. Talk

about, talk about what you do beside after August. I mean, you

must have fun playing out with all the different musicians and

different album projects that you're involved with. But what

is it that drew you to these guys with after August?

Well, I started playing with the getaway drivers, like 43

years ago. What? I would, yeah, I think I had just been

born something. I was going to say four or five years ago,

not 43. No, but Bob recruited me from the Shawn Michael

Dargen band. Yeah. Okay. And I started playing with them

so 15 years ago. Yeah, something like that. And, and yeah, we've

just sort of, I've been in and out of that band a bunch of

different times as lineups changed and needs, needs changed

and this time around, they needed a bass player. And I've been

playing bass now for probably longer than I've been playing

guitar. So I said, hey, it sounds like fun. I love the songs

and that's great. So bass guitar. Do you play drums too?

Or I have played drums on occasion. I have played, I have

played gigs on drums. And you sing to how enjoyable it was

for anybody that had been listening. And you sing too, you have

a solo project that you do. You do a lot of open mics on a

cargo of a mistake. And yeah, yeah, I do every second Sunday at

cargo. I do what a soul session, which is supposed to be

like an Irish session or a bluegrass session where everybody

kind of sits around a circle and we just pass the lead around

whoever wants to do a song. So I would imagine the songwriting

collaboration and after August has to be pretty formidable. I

mean, all of you were seasoned musicians. What talk about the

songwriting process? How that happens? And how do you all bounce

ideas off each other? Well, a lot of times, we're the

collaborative process happens more in the arranging than the

writing where we're each bringing in songs that are basically

finished. And people might have ideas of different musical

ideas to throw in to, okay, we should do this for the bridge

or, you know, let's not repeat that section or stuff like that.

Don't copy and paste. Yes, exactly. So one of us will bring in a

song and just hope to God that the others like it. And don't

throw you out of the room. But it's really great. Everybody's so

supportive. And that's, that's the whole idea of this band is

to, you know, be egalitarian and, you know, try to bring the

best out everybody in terms of songwriting and playing. And

we've all been learning a lot in this band. The Sheila come

with her lyrics, writing her own lyrics. Do you guys ever take

lyrics to Sheila? No, she, she writes all her own, she's a great

lyricist. So you guys take care of the music and Sheila's on

Yeah, we tend to show Sheila tends to write in a, you know, sweet

tea country style, a lot of the time. So like river of pines

was first written on banjo. And we sort of led Zeppelin did

up as the band. And she, she loves that, you know, she's a

always surprised at what we can bring to it. And on this song,

in particular, the one that you played at the beginning of

the show, she really did some catterwalling on that, you know,

and it's not, not, not usual for Sheila to sing like that. But

she just got all soulful on it during the recording process.

And it's because we rocked it up. And that works really good.

I find sometimes singers can't remember lyrics unless they're

the people who wrote them. Yeah, you know, it's got to be my

lyrics are, I don't know what it was. Right. Hey, after August

will release their new album, first sign of trouble on Sunday,

March 24th, at the Harmony bar on the Atwood Avenue, was

Sean Michael Dargan. Where can we find this online? And will

there be vinyl? And I'm just asking for a friend. No, no, no

plans for vinyl at this point, but that's not out of the

question. So online, you know, just go on Facebook and type in

after August and or on Instagram. And you'll, you'll see where

the, you know, where the poster is and where the time isn't

everything. We also have a new website after August.net. Yes,

after August.net, you can stream there. There are links to

other streaming sites with, with the album on there. Nice

download or stream. Right. And you guys will curse are on the

streaming sakes, all the streaming sites. So add that to your

playlist, help these guys out. Hey, guys, thank you so much for

coming in tonight. We really appreciate you. Congratulations on

the new album. Absolutely. Thank you. Thank you. I think you

would be happy to be here. Before we go, tell us about this

next song we're going to play is called Insolitude. Great

lunch. Take that one. All right. Insolitude. Actually, this

is a cover of one of our songs on Tempest, the Tempest

album. And so you can sue yourself. We can. Yeah, we're

covering ourselves. We're taking ourselves a court pretty soon

on this one. Excellent. Yeah, just for the publicity. If

nothing else, right? Great band. I love that band, band sues

self over over writes to song. No, and solitude was actually

Bob wrote the lyrics for that. This was this came from a riff

that I had rattling around on the guitar for for decades,

literally decades. And we had written a short piece for this

about a minute, about a minute song for just sort of in

between song in on the Tempest album. And then Bob's family

came to us and said, you really can't leave us with just a

minute of this music. So Bob found some, some Latin to

recite. And some other lyrics. And I came up with some other

guitar parts for the song and finally finished it after, after

about 20 years, that song is finally complete and good to have

that one done. Wow, you're like the Beatles. Never throw

anything away, yeah. Never throw it away. You never know what

you might do. That's right. So this is one of our heavier

tunes on the album. Let's check it out. In solitude, this

after August on Maxing Civic Media, we are local music.