You're listening to Max Inc. Radio with Jimmy K and Rocker on Devil Radio 92 7 FM Madison.
Saturday night at Madison, Wisconsin. Good evening, everybody. My name is Jimmy K here
with Rocker listening on 92 7 FM and Madison and worldwide on that Devil Radio app. Get it
on your phone. You know, Steve Simber out in Buffalo got it on his phone, Rocker.
Is he in Buffalo now? I thought he was in Florida. Yeah, he's in Buffalo now.
Listen to the app. He probably doesn't want us to tell that, but you know, we just did.
Hey, live in the doubles later. Presented by Salvatore's Tomato Pies. There's pizza.
Then there are sales. Check them out at Madison, Manona, Sun Prairie. You can order
your tomato pie online at tomato, uh, Salvatore's tomato pies dot com. Also,
thanks to like night, glass, and gifts. West Atlanta, Eastern, uh, Manona and
downtown on Willie Street. Go online and shop them at nightclassinggifts.com.
Jimmy, cat downs and Mike Thompson to highly accomplished veterans of the San Francisco music
scene, decided to experiment with the combination of classical piano and rock drumming back in
2010 and it worked since the duo since the duo said Kitty has released four albums
and tours the US and Europe with a cult like status and following, having played high
in the insulin last week to an enthusiastic audience tonight.
Sick Kitty sit is performing right here in the devil's layer for those aren't in cat
and Mike. Welcome to Max, Inc. Radio. Thank you, gentlemen. Happy to be here.
Again. Now, uh, for those who aren't familiar with sick kitty said, tell us a little bit
about your band. What's your back story? Okay. Well, here's what happened. Hold on.
Can you get up kind of close? Oh, yeah, I forgot. I got this really weird mic here.
Yeah. Okay. I'm doing the handheld thing, folks. So what happened was in 2010, a mutual
friend of ours, a musician friend introduced us of the album recording cat came in and
did a to some keys on the tracks that we were recording at the time for my previous band
and we met then and then from there, a couple months later, she needed a drummer to come
on her solo record and play some super heavy thrashed drums. And I was the man for the
job because the guy who was supposed to be doing it kind of dropped out last minute and
because he forgot because he was going to Thailand. Apparently, he did not put on his calendar.
He had to agree. That's what that is exactly what I said. How do you forget that you're
going to do? Well, if you knew this guy, it's kind of like, no, okay, that's kind of
makes sense. I'm on vacation in in 10 days and I've been county down since it was like
seven days. Like a normal person would. Yes. However, it turned out to be, you know, just the best
because from that one, it was only supposed to be one thing and one time thing, you know, I would
go in and record it. We never even rehearsed the song before I went in and recorded it. No,
straight to the studio. Straight to the studio. I'd practice it a few times in my own.
That song was called the push off of our very first EP called the push, which is why we called it
that, which is why we call it that. And as soon as we sat down and played, man, you know,
the engineer at the time, Margaret Eichler, also of the famous band True Margaret from San Francisco,
she's amazing. Oh, okay. She, um, she was like, whoa, what's happening here? We're like, I don't,
we don't know. We don't even know each other. We don't know each other. No, it might be magic. Yeah,
exactly. So we're like, hmm, okay, fast forward. Um, you know, we talked over the next couple of
months and just decided to just kind of pursue this new thing because I had come from, you know,
rocking all the background, you know, big guitars, Hammond organ, you know, blues and stuff like that.
And, you know, cat was, you know, very strictly classical. And then, you know, she had played in
some, some goth metal bands and a couple other things that were, you know, but they were not,
you know, showcasing her talent. And so this was kind of a melding of the two,
um, and it was just really, you know, we're just both such percussive players that it just,
it just, it just, it just, it just works. And, you know, in her left hand, you know, her bass lines
are just so heavy and hard. Like, I don't know. It just fills up. We just, I don't know. I don't
know, man, it was like in a bottle. Here we are. 11 years later. Just work. 11 years. So, uh,
where did the name sick kitty sit come from? Oh, that's making fun of me. Um, all the other bands
that I played in. Um, I always played, so I was always playing like back, like backing, like,
you know, synth patches or, you know, maybe a few, you know, panelists here and there and singing
back up in these other bands. So I always played standing up because it wasn't, you know, difficult.
So, uh, then we started playing this stuff. And I was like, dude, I'm not going to balance because
you have to, you know, you basically have to stand on one leg to work the pedal. So I was like,
I'm not going to stand on one leg for an hour and play this really hard music. That's stupid. So
I'm playing sitting down and everyone can just, you know, deal with it. Not only are you sitting
down though, but you have a special chair, you know, I didn't know that it was tied into the band
name. Yeah. Well, yeah. No. So the, yeah. So basically that was the first of my ever played sitting.
And so my, you know, my, my close, posse, a girlfriend's, you know, came to our first couple
shows. And because I'd always played standing, even I didn't know that I thrash around like that
when I play sitting down like my legs and my hair and my arms and everything's like flying around.
And so my friend, Edo was making fun of me and she said, sit, kitty, sit, good kitty, like,
making fun of me. And Mike was like, there it is. There it is. It's like a play on that old commercial,
sit, ubu, sit, good dog. Yeah. And so, and it was just, and I was like, oh, that's it. Done. Boom.
There it is. Now, a security sit was based in San Francisco, but during the pandemic,
you guys decided to change the home base to just north of Oshvegas in Appleton.
Does that, does that really happen in the real world? It is all props to Oshvegas.
I laugh so hot. I was like, that Oshvegas is one of my favorite things to drive fast.
This is, uh, Oshvegas, this is new to me. And I consider myself a Wisconsin official.
What? It's a mobile home park. No kidding. Yeah. It's got the big Vegas sign and it just says
Oshvegas. It's got the welcome to Las Vegas sign and it says welcome to Oshvegas. It's the old
classic one. It's right on, uh, you know, it's right on 41. Yeah, 41. Hang on, I got to call my
wife real quick. It's very cool. Well, I mean, to be to be fair, um, we had started planning for
our move about two years before the pandemic. Yeah, this was going before. Yeah. I mean, it was a
slow kind of planning process. And we, you know, it just, first of all, Wisconsin is awesome.
I'm just going to go and say how awesome it is here. And, you know, I'm from Rhode Island.
And, you know, I, it's, it's, it's got a lot of elements of East Coast here, which I love.
And, um, I love the seasons. And, you know, California's great and all, but, you know,
we've been there. I was there in 15 years. She was there 19 plus years. 19 years, yeah.
And it's really, really hard to, to kind of make your way as a, as an independent artist there.
Well, there's thousands and thousands and thousands. And the cost of living does not help.
Yeah, that's the thing. It made touring really challenging because it's like, I mean, I,
I flipped over to full-time music in 2011. And I, I was surviving. Like, I was one of the rare breeds.
You know, like, I actually was making it. And, you know, I, it wasn't huge, but I was living,
and I was living okay, you know, like not, but like I couldn't, I couldn't afford, you know,
a two-bedroom apartment. Right. You know, I had to live mostly in, I know, right? I'm like, what kind of...
Well, Rockefeller, Poland, you. So, like, you know, little things like, little things like,
you know, when I get stressed out, I tend to like to go underwater. So, I had to give up living
with a bathtub because I couldn't, I couldn't play any, I couldn't afford anywhere that had a bathtub.
And things like that. So, like, I went without having a bathtub for probably like six years.
And that's like number one stress reliever for me. And I had to give that up in order to make it in
California. And finally, I was just like, you know, bro. I need a bathtub. I need a bathtub and
get a full-size kitchen. And I don't feel like I'm asking too much. Yeah. Yeah. And we have a great
network out here. Our, our team, I mean, we've got a sickity-set team that is just the best
people possible, Ryan Klassa, our videographer, you know, Denise Alman. She's the best
emerged girl ever, Carrie Devine, our, you know, our, our best production manager ever,
was jolly Andrea Hubbard. I mean, we've got the best people to work with here. And they're all,
they were all like, um, so we're here. And you guys are all the way out there. And we win.
And just saying, like, if you came here, we could do so much more. And we have. Since we've
been here, we've done a lot more. Yeah. And we have. Yeah. Well, let's get to some live music.
Let's some rock and roll, huh? Here in the devil's layer. And tonight we're going to be rocking out,
Jimmy, the first song you have for us tonight is called My Beloved. Tell us about this song before
you play it. I would rather not.
Tell them about the green. Oh, well, I can't say. I'm not going to tell you what this song is about
because that would be inappropriate for radio. But I did have. Thank you. You're welcome.
This song actually, it's, it's pretty common for any kind of music type people to have music
video dreams, which is what where this song came from. Um, pretty common to have them. I've
had tons of them. But this is the only one that I remembered. And that I remembered so clearly
that I was actually able to write the song, which did not exist at all. There was no formation
of the song at all before I had that dream. I wrote it down. And then a friend of mine, um, about,
like, I don't know, six or seven months later was talking about needing to do a film for his
student project for school. And I said, Oh, I had this music video dream. And I actually wrote
the song. And he's like, Oh, do tell. And so I told him like what the music video dream was,
because I still remembered it so clearly. And then we actually made the video. And it's super
trippy. Every time we watch it, it just feels like a giant day job move for me. It's pretty wild.
Yeah, it's on YouTube. Not for radio, but good for YouTube. Yeah. Well, the, yeah, the video's not.
Uh, let's check it out right now. It's sicky sit live in the doubles layer. All right.
Your kiss will bite me. That cut will bleed. Your touch will hurt me.
For Phil, I need it. I feel you running down my leg. I put up some help across your face.
I taste your soul between my teeth. And I find that my sweet love is on it.
Your perfect poison in my veins, what I will find you. Just enough to play the game.
Garks will bite me. I smell the leather of your skin. You show no mercy. And I sing one mind.
My beloved, you are inspired by my charisma is erected with your nails in my sight.
You show no mercy. I have swimming in my skin. The leather fights me. And my blood will stain your skin.
My beloved, your perfect poison in my veins, what I will find you.
Just enough to play the game. Garks will bite me. I smell the leather of your skin. You show no mercy.
And I sing one mind. Can my beloved, my beloved, my beloved, my beloved.
Yeah. Sit, sit. Yeah. Sit, kitty, sit. Why have you been the doubles layer here on double radio?
92.7. And that song was awesome. I love that. Wow, man. That sounded clean. Wow. Yeah. How did it sound?
It sounds good. Yeah. Full disclosure. I am playing an electric drumkick, folks.
For those of you who know me. And it's really fun. I've got video. It's amazing.
And it's called it's a cat. And it's called it's called a cat. Yeah. Electronic. It's spelled K-A-T.
That's me. And that crazy. Yeah. So, I'm dippity. What's your opinion of electronics? Do you like playing?
Obviously, hours and hours of fun. Oh, yeah. Oh, my God. It's, I mean, they're great. I mean, you know,
especially for rehearsing or recording, obviously, but you know, the possibilities are endless. It's
a stuff like this. I mean, you know, normally when we do kind of like, strip down acoustic shows or
radio shows or stuff where I cannot bring my gigantic, bombastic Ludwig kit. Right. You know,
I usually play like a jembe, you know, a hand drum and a tambourine and I, and I hate it.
I really just don't like it. But it is freakishly good at it. It just does not represent the band.
It's right. You know what I mean? And it's like, you know, we can do that and I can play cafes
with brushes and I can play with hot rods and I can do all this other stuff. And it's like, yeah,
okay. Well, you know, anybody that's seen us for the first time, that's what they're going to
think this band always sounds like. And it's just not. And it just, it really, you know, I just,
and this, so, you know, when Rocco was like, eh, I got this. Let's try to get sound just like
huge bottom drums. I'm like, what? Let's do it. Yes. I'm totally down. You know, like playing
Rockstar or something like that. It is. It's like playing a game. It's really fun, actually.
You know, you all mentioned before the first song that, you know, when you went into the studio
record, your first songs, you just met. Have either of you ever worked with just a two-piece band
before? No. Not like this. No. I mean, not, you know, I jammed with the buddy of mine like
acoustic guitar and a couple bongos. But nothing like this. I mean, this is just so out of the realm
for either of us. It has to make it easier for like scheduling practice time. Oh, it's one.
It's really easy. It's wonderful. Yeah, touring, everything is just easier. You know, before, you
know, this, I was in a five-piece, you know, kind of Southern blues rocky band, you know,
two guitars, bass, Hammond organ, me, and it was like hurting cats. You know, it's like,
oh, all right. Don't start a scob, man. Oh, god. I was briefly in a scob, man. Yeah, you're
right. That was even worse. Damn horn players. Sorry, shoe. Just getting out of horn plays.
Cat. Yeah. Now, you're an artist, a teacher, a composer, and from Green Bay. Yes.
Tell us your backstory. How did you get to this moment? I mean, you kind of told us a little bit,
but yeah, I mean, so basically when I, when I first moved to California, I had been teaching,
that was my, my prayer Mary. I was, it's all private lessons. I've never, I've never taught in
classroom because I don't like it. But yeah, but I've always taught, I've always taught privately.
And so when I was, you know, living in Green Bay, you know, post college and whatever, I had
like 50 students. It was like my full-time gigs. And then, and I was really, but I was really
burned out from it. And, and when I moved to California, I was like, I'm in a switch over to song
writing and blah, blah, blah. And so I did. And that probably that first year, I probably wrote,
like, I don't know, 25, 30 songs or something. But then like it was just, I was in that weird spot
where like nothing I wrote felt like a quote unquote, real song. And anyone who's out there who's
written songs knows exactly what I'm talking about. They just don't feel real at first. So I,
I ended up meeting this other group of female songwriters and we kind of like formed like a writing
group of sorts. And we would put on a show every once in a while. But I decided, like I, I wanted
to experiment with more stuff. So I just decided to say yes to anything that came toward me. And
funny enough through that songwriting group, I met Margaret Eichler of True Margaret. And I didn't
know that she also was in a theatrical heavy metal band on the side. And she, and she was like,
you do. Yeah, like you do. And she was like, yeah. So we actually double booked some shows. And
I'm wondering if you could fill in for me. But the first show would be in Concord, which is in
the East Bay in California. And the second one would be at the House of Blues on Sunset in LA
opening for Wasp. Would you be okay with that? And I was like, and I had promised myself that I was
like, I'm just going to say yes to everything. And I've never played heavy metal in my life. But
I was like, yes, I will do that. So that's how I ended up in Sparrow's point. Wasp is an
interesting band. Oh, yeah. Yeah. That's a good word for it. Yeah, they're interesting.
Becky. Becky, so many stories I can tell you, but I'm not going to waste time. So anyway, so that's
how I got into the heavy metal band because then what I didn't, what none of them told me is that
they were actually looking for replacement for Margaret, especially Margaret was looking for
a replacement for Margaret. So anyway, that's how I ended up playing with them for a couple of
years. And then through them and like some weird contacts, I ended up in Saints of Ruin,
which is a, that was a goth rock, like goth electronic a rock band. And they were already
established. They were just, they just needed a new keyboard player. They were huge in the vampire
circuit. So like we would play like the Anne Rice vampire ball in New Orleans every year and
stuff like that. So it was, it was nuts. Like I was just, and it was just because I just started
saying yes to everything, like just whatever came my way, I'm like, okay, sure, why not? And,
you know, all those years of classical training paid off when you're standing on stage dressed
head to toe in goth lace holding down one cord for 16 beats. All that education really did.
Yeah. But anyway, so it was, it was basically through all those contacts and just saying yes to
everything that I eventually, you know, ended up meeting Mike. And then we just decided to start
experimenting with that. So. Well, I've heard, uh, Sick Kitty said described as Led Zeppelin
meets rock mononof. And I know who they mean on the Zeppelin side. Tell us about the rock mononof
part. Are you a fan of classical music? Like who is your, who's your inspiring classical people?
Who do you listen to? Oh, man. Um, well, definitely rock mononof Beethoven of Aldi. I like a
Bach for his organizational skills. You know, like there's just, I'm a Virgo. So like there's
just something so delightfully Matthew about Bach that I play it when I'm stressed out because
everything fits into a box in such a delightful way. It's so German. I like Mozart because of his
memory. Yeah, Mozart is good because of his memory. And he was also such a show off. So like,
I love it. You've got like this little, it sounds like this little lovely Mozart A-Toot and all
of a sudden there's like this wall kind of show off like moving it where you're like, what's come on?
But yeah, so it's, I don't know, I kind of like all of it. I can't really say there's anything I don't
like. Nice. Well, let's get back to some more live music here with Sick Kitty say,
performing live in the Devil's Lair. I'm Maxing Gradyo. This next song is called Birmingham. I
mean, are we in Birmingham? Are we in Alabama? It's kind of like Margaritaville. It's kind of
anywhere you want it to be, man. But no, it's, it could be there, you know, because we have friends
in England that we go visit a lot. Well, Kat, more than me. Yeah. Like Ozzy, because that's Ozzy's
hometown. Yeah, I know. Yes, it is. Yes, it is. Yeah. They live in Brighton actually, but, um,
yeah, you know, it's, we never, no, it's funny. When we're in this, when I, it's more when I'm in
England, when I play like solo shows and stuff in England, people are all like, wow, I didn't know
that you would write something about it. And I'm just like, mm-hmm. Yeah, sure. It's totally here.
When I'm over there, everyone just assumes it's about Birmingham and England. And when I'm here,
everyone assumes it's in Alabama. Yeah, no, no, no, it's fine. And it's, it's wherever you want it to be.
You want it to be, man? Yeah. Well, but, um, this one, this one especially goes out to
Kristen Nesbitt and the Metal View Lane crew over in DeForest. What's the Metal View Lane?
That's Kat's sister-in-law. No. And this is her? No. Wait. Yes, sister-in-law. Yeah, this is her favorite song.
Yeah, sister-in-law. Well, that's your right. I saw it take us to Berbyham. Let's do it.
Pulling the ground, a secret don't tell now, or I'll make you quiet too.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
He was no match for a woman, scarred, forwards of a head and fingers.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
We ain't got no way, and burns the cold red eyes, does the world know it?
And how to hold the skies, how'd life be in the night? In such joys and sorrows, in such nights.
We drive, we drive, we drive, to Berbyham. We make our way to Berbyham.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
He was no match for a woman, scarred, forwards of a head and fingers.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
We ain't got no way, and burns the cold red eyes, does the world know it?
And how to hold the skies, how'd life be in the night? In such joys and sorrows, in such nights.
We drive, we drive, we drive to Berbyham. We make our way to Berbyham.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
He was no match for a woman, scarred, forwards of a head and fingers.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
In the hot, navy nights, the shove-up thing danced in the turkish at the spot was midnight.
It made some lifelong friends and the chorus and still keep in touch today.
It really just opened my eyes. It really, really humbled me a lot when I went there.
And just showed me how much I had to learn and what a long way to go.
And that music is never in a journey. And you can always better yourself.
Well, let's hear another song from Cikini City.
This song is called Million Miles.
What's the relative distance from here to San Francisco?
One million miles.
That feels that way sometimes.
Oh, I lived. I ended up having to move at one point to the very edge of the city.
Some friends gave me like a mother-in-law unit on the bottom of their house.
And the city of San Francisco, I mean.
And out the back window, I could literally see across the entire city.
So after I would, you know, have my work day or whatever and then go home.
Awesome view of the old candlestick park.
Yeah, it was very cool.
But like after I would go home and then, you know, just, you know, be having a cup of tea or whatever.
And like looking out the window, it felt like I was like completely detached from the city.
Although my address still said I was in San Francisco.
So anyway, that was where the, the concept of Million Miles came from.
Yeah, that's here.
And hold receipt, I found it in my pocket.
I think you thought I forgot how to stop it.
I'm eternally to A.M. and the Hollywood cameras on the floor.
We can't afford to breathe this much.
My breath and shadow and I feel sure.
I'm quite new, I thought I am and I don't care.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
We finally faced at the end of November.
The way that they only goes remember.
The shuttle's land went so neat still.
The rock that's on the slide.
We fought every night after dinner.
Let the Father broke us back together.
The faith loved one up between these two stones.
To say that's broken us too.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I stand on the floor, but here I wait for the gentle defeat.
It's fine, I'll be able to stop it there.
I just want to be able to find it.
When I can't breathe I can't come tomorrow after you.
When I want to throw you down, you're watching your thoughts.
You can't be alone.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a symbol in my pocket.
I can see a little bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
I can see a bell in my pocket.
Nice.
Sick kitty sit live in the doubles layer.
Maxing a double radial of rock.
You know you guys have a show coming up October 30th.
cairo.
Hope you這樣.
You'll enjoyed it.
I'll drive the shot.
I wish you a brilliant storm.
Wish you have a healthy day all you can do to 20.
Happy birthday!
Very happy birthday!
Love you!
That was amazing!
Who was Jake and who was Elwood?
I was Jake.
So he had the mutton chops and everything.
That was a good one.
You could open it up to your fans and have them make a request.
Oh yeah, that's a good idea.
844-967-2789.
Yeah, why should we do the work?
Yeah, fans, you decide for us.
You think we're how we're supposed to do.
Let's get back to some vibe music right here.
The Devil's Lair, a Max and Gradio with Sick Kitty Sit.
The next song you're going to perform is called Raven.
Sounds a little dark.
What's behind the song?
Actually, once upon a time I was in Alaska
and I got attacked by a Raven.
That is true.
Wow, what is the chance?
Yeah, so anyway, that was...
It was kind of a long...
It was a long time ago,
but anyway, I ended up writing this song about it.
So it's one of those moments that will never quite leave me now.
I'm sure the birds...
Yeah, it's a long story.
It could be told another time,
but let's hear a long story short.
Let's hear a Raven.
The Raven Attackter and gave her this song.
Yes, there it is.
Here we go.
A Raven Sweeps and Circles,
Tensable.
A Wig and Slyly past your show.
Black is not a day light,
and that's a street cannot be missed.
Black is not a day light,
and that's a street cannot be missed.
Grow my defense.
Ooh, oh, it's singing on a morning.
Very good on me.
Sweet and Circles from the mind, этu in the dead of your eyes.
Ooh, ooh, ooh, ooh, ooh,
Baby, you're right.
Ooh, ooh, ooh, ooh, ooh, baby, you're right.
Ooh, ooh, ooh, ooh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
Madam calls to something said
that there's chills and ready sins.
Boy, you ignore now, here I get it.
See, the answer and it's your ride
and the little wall that chills my smile.
And the moment's calling you.
Ooh, all it's singing, we get one thing
for any doubt on me.
Ooh, stop inside, we slide behind
standing and be wasting time.
Ooh, ooh, ooh, ooh, oh, oh, it's singing, we get one thing
for any doubt on me.
Ooh, swimming, swimming, swimming from behind
or to my parking.
Ooh, ooh, ooh, ooh, ooh, baby, ride.
Ooh, ooh, ooh, ooh, baby, ride.
Ooh, ooh, ooh, baby, ride.
Ooh, ooh, ooh, baby, ride.
Ooh, ooh, ooh, baby, ride.
Very nice, Sick Kitty Sit.
I'm maxing double radio.
Cat, at least it wasn't a bear.
Very true, very true.
That was a bear to play on this game.
It sounded awesome, man.
I kept myself from laughing until the very end.
That was fun, man.
We have about nine minutes to see you know.
Now, Sick Kitty Sit works with publicist
Andrea Hubbard out of Milwaukee.
Another local connection to Sick Kitty Sit.
Andrea has been working in the industry in a long time.
Tell me about working with Andrea quickly.
And why it's important for your band to have a publicist.
Oh, man.
Hubbing company.
Andrea is the best.
I mean, literally the first,
but then the first two minutes of talking to her.
Mm-hmm.
Cat was like, oh, this is my best friend.
And they are scarierly similar.
Yeah.
It's like crazy.
And she's the sweetest, best, most dedicated person ever.
Can not just thank her enough for what she does.
And it's just, man.
It's really hard, you know, these days with social media
and the amount of time that you have to spend online.
Hey, man.
Doing this.
Yeah.
Terrible.
Life sucking crap.
Thanks for holding back there, bro.
Wow.
Kat and I are do not like doing social media.
I'm trying to change my opinion about it.
But we are trying to change our...
Yes, we are trying to...
And Andrea is helping us do that.
She is, yeah.
She's like, I mean, on top of handling regular media stuff
and whatever, she's also kind of coaching me
on how to set up social media so I don't love it
with every part of my being.
She's very knowledgeable.
She's her attitude is just really enviable.
She's infectiously happy and excited about stuff.
Every time we talk to her, she's like, are you guys excited?
And we're like, well, I wasn't until right now.
Yeah.
You're excited.
She's like a great football coach.
She's like one party.
She's like, let's go.
Come on, man.
I'm going to give her a call right away.
She's so great, man.
She's fantastic.
So we want to thank her.
Everyone give her all your mind.
Yeah, for putting her putting us in touch with you guys
and just really happy to be here.
Yeah.
Let's rock these last couple of songs.
Yeah.
This one's called a tectonic shift.
Yeah.
It's a title track from our last record.
Yes.
And this was, you know, we were at the last record,
tectonic was kind of written during your very tumultuous,
tumultuous, say you say it, tumultuous.
Yes.
Time in our lives, both of us personally and professionally.
And this is about, you know, the shifting of the plates
and the shifting of life, like big life changes.
And then, you know, the album itself is just pretty,
it's pretty crazy, you know, up and down, like genre wise.
And then this is the final track with a record.
And it's kind of just like us, just kind of like a release,
a celebration of sorts.
Yeah.
And reminding you that everything has to fall apart before it can
get put back together.
Boom, let's do it.
Let's do it.
Yeah.
Let's do it.
This is a better time before the earth tries to shake things.
And a cleasier thing for us that keeps your heart everything.
Like some epic kind of shizzle.
Like some everything that keeps its score.
Why clean it up on a man until the shake comes around again?
A damn tonic shizzle.
Come and run in the heart, tell me, run in the problem.
Let me beat up and roll from the top to the bottom.
Like some ancient kind of wake.
Let me shake it in its holy way.
I clean it up on a man until the shake comes around again.
Yeah.
Let's do it.
Yeah.
Let's do it.
Yeah.
Let's do it.
Yeah.
Let's do it.
Let's do it.
Yeah.
Yeah.
Yeah.
Yeah.
yeah.
That's the wake guy.
Yeah.
Yeah.
Yeah.
So good.
Sit, Kitty Sit, Max Inc. on Double Radio 92 7.
Thank you.
Both of you for coming in tonight and giving us this awesome music.
I also want to give a shout out to Salvatore St. Patel Pie.
There's pizza there, sells, Madison, Manona, and Subbury.
Fight them online at Salvatore St. Patel Pie's.
And we have about four minutes.
Well, we got time for one more song.
And I think this one's called Blood and Bone.
So why don't you tell everybody where to find the online.
Tell us about Blood and Bone or really just get into it.
We have time.
Yeah.
We might have to just go right into it.
Yeah.
We got four minutes.
Yeah, Bob and Son Google were in Spotify and Pandora.
And now it's fine.
We can do Blood and Bone.
That's cool.
All right.
We might go a little bit.
Just cut us off with you.
All right.
I hate doing that.
We love you guys, though.
Thank you.
Well, we don't have any underformity.
SitKittySit.com.
SitKittySit.com.
Facebook, Instagram, all things.
SitKittySit.
Music.
I live a piece of his and myself across Nevada.
He said his and myself across the floor.
And I am so happy until I feel the next move.
I am so happy until I'm tied with him.
Music.
Music.
Music.
Music.
Music.
Music.
Music.
Music.
Music.
Music.