This Season at the Racine Theatre Guild

Transcript

This Season at the Racine Theatre Guild

The Don Rosen Show · Wed Sep 9, 2026

Say hello to Jocelyn Fish.

She's director of marketing and development and also one of the directors at the Racine Theater Guild.

Hi, what's happening?

Wow, look at you.

All the titles stacking up, I guess.

Yeah, look at you.

You got the greatest director, Spielberg.

You've got, I'm trying to remember the guy who did the new one, Odyssey.

him.

That

one guy with the face.

Yeah, that guy who did

Oppenheimer, that guy.

Wow, directing now.

Yeah.

And you directed the first show of the season,

which was

that season's ticket.

And

I loved it.

Yeah, it was super fun.

It was a very campy but family heartfelt Packers musical.

So we had a great time with that.

It helps to have good acting and good writing.

I mean, big

time.

You have the best director in the world, but the actors are any good in the writing is no good.

You don't have a

head.

Yeah.

And the great thing is, is, you know, we are a very collaborative group and we had people that were new and tried something for the first time.

And so it was a great, great team.

And everybody can relate to that family.

Oh,

yeah.

Because if it's not season tickets, it's something.

Yes.

Yes, yes, yes.

That

dress or drawer, I wanted

that.

And he's giving it

to you.

You know that TV?

Right.

That was supposed to be left to me.

The

inheritance dilemma.

And everybody can relate to something like that.

That was a great show.

And you directed that.

Yeah.

Is it tough to direct?

It's a challenge.

I mean casting is one of the biggest things because there's so many talented people that come out and you have to decide who's right for that role in that moment and how are they going to work with everyone else and how do their voices sound.

There's so many layers that just go into the casting process and then once you're in the rehearsal process it's about time management and creativity and trying something new.

It's a whole fun.

That's why we stay in the theater world.

We get to play

Bob Benson was in here last week.

Oh, yeah And I said do you just walk in and get the party goes new why audition

I

he said I've got to audition like everybody else does cuz I Really, but you know Bob Benson, you know what he can do.

He's been in so many shows, but

he still

has to audition

for an audition for every show

Wow, yeah, hey, he's a talented man

The whole family,

the Benz.

I know.

I got a whole bunch of them in play that goes wrong though.

Oh, do you really?

Yeah.

The Benz was

the

loose.

Bob's

doing the costumes.

Yeah, he works behind the scenes too.

Every way you look, there's always a Benz who's

floating around, so

we can't get away from them.

Yeah.

Slapping them and they keep reproducing.

Anyways, he is such a talented

guy.

I was so happy to have him

in here.

Well, that's great.

All right.

The new show coming

up

opens this Friday and we're going to have tickets to give away.

Everybody's ears perked up.

Yes.

It's the play that goes wrong.

Yes.

The title for this play is great because it tells you the plot in the title, which is wonderful.

But in a larger summation, it is about the Cornley Drama Society who is trying to put on the murder at Havershire Manor and

Everything keeps going wrong.

All they want to do is do a good show.

And lines are forgotten.

The dead body can't stay dead on stage.

They trip over each other.

They fight.

They hair pull.

They, you know, all kinds of just crazy things continue to go wrong.

It's a whole domino effect.

Everything quite literally comes crashing down at the end.

So it's very, very funny, very broad, huge hit in London and then came to Broadway, huge hit there.

This company that wrote this original piece now has like Peter Pan that goes wrong and Christmas Carol that goes wrong, kind of idea of things.

So it's gotten so popular that they're able to do these offshoots, but ours is the play that goes wrong.

Broadway and London, no matter.

How does it play

in Racine?

That's how we go to decide.

It's been really fun, especially to bring in the crew this week, this last week, and have them genuinely just cackling at some of the just absurdity of the moments, especially if you've ever done theater.

The show will make you, you know, oh, yes, I've been stuck in a moment like that where we couldn't remember what our next line was or what have you.

So it's very.

But for people that don't know theater, it's also just super.

It's kind of like someone described it as Monty Python meets plays, you know, or like putting together a play kind of idea, just very broad comedy, very over the top.

It's super fun.

Now, this is like noises off.

Yes.

You guys did that show too.

You've done noises off.

This is definitely like a nod to noises off.

There's a lot of plays like this actually that are, you know, a play within a play of everything.

falling to pieces.

So it's always good there.

It's got to be a challenge though, because you can't bring the curtain down to make changes.

Correct.

Yeah.

And this show, the stage directions of the original production relied very heavily on curtains and tabs coming in for a moment.

So we've worked out different ways of how to clear the set and move things and

So we have not only our cast of eight actors, two of whom are quote unquote backstage people, but are actually actors on stage.

And then we have five crew members that are running around backstage, making sure all the things that go wrong go wrong correctly.

And if something goes wrong by accident.

Oh, that's funny.

There's only one thing that would be worse is a theater in the round.

So you had a horseshoe.

Correct.

Yeah.

So we have a thrust stage.

It's a little easier.

What would you call it?

A thrust stage or a three-quarter stage.

Oh, look at you.

Look at using theater terms.

Theater terminology.

Showing off here.

So like we at least get the option to hide them behind the scenes in a way with our proscenium arch.

But yes, the theater in the round is much more challenging.

You have to have a lot less...

you know furniture and set pieces because everyone has to see at every angle.

So that's why they rely

a lot.

I never thought about that.

Yeah, so when you set design, people on the left and

right

in the center.

Yeah, you have to see the actor at all times.

Wow.

And so, you know, if you go to the fireside, for instance, they have a pit that typically raises and lowers furniture for them or actors bring them on or what have you.

But it's a much more minimalist type set.

And the actors...

For the most part have to come from the aisles.

They

can run it.

We just saw the million dollar quartet there and the actors have to come running up and then you got to make sure no people have their feet

on the

aisles or any, you know, leaving their stuff in the aisle because they'll trip.

Yeah.

Oh wow.

And you guys use the aisle too

occasionally.

We do.

Yeah.

This show we don't.

We just got the bombs and the main entrances, but there are some special effects that

Uh, you know, we want to make sure it go right.

Uh, we have backup plans in case they don't kind of idea, but there's, there's so much that goes wrong.

I don't want to spoil it.

I gotta ask you

something.

Have you ever come coming up the showtime and the actors not there yet?

They overslept or something?

Yes.

Yes, we have.

I mean, and it happens.

I mean, things first of all, we've had people getting car accidents on the way to the theater or are ill or what have you.

But yes, we have had a couple of times where someone slept through an alarm or rushed in the door 10 minutes before curtain because their babysitter fell through or, you know, life happens.

That's that's the thing.

And so you you make a

game plan for plan B, and you hope to do plan A, and sometimes you gotta do plan B.

I was in the accident then, I'm in the emergency room.

Well, when can you be here?

Tell them to speed up the X-rays.

Let's get going, I

gotta get, but my leg's broken.

Get over here in the wheelchair.

Yeah,

yeah.

Wow.

And you know, you figure out, again, the biggest thing is figuring out how to move forward.

The show must go on kind of idea a lot of the time.

I went there once,

and the lead actor, this was Sunshine Boys, couldn't

make it, something happened to

get sick.

had a detached retina, Jerry Renauded.

And so Norm had to go.

Right.

And he

actually had the script in his hand.

But he was such a professional, you didn't pay attention to

the script.

And

he was able to just wave it around and look occasioned and read out.

He's such a pro that he was able to pull

it

off.

Yeah.

Yeah.

Wow.

So it happens.

And, you know, we don't do understudies at the theater guild.

We did a little bit right after COVID because people were getting sick and quarantining and stuff.

But, you know,

the same time when we've had instances like that, everyone steps up and shows like the true spirit of community theater.

We're going to work together and make this happen.

Wow.

So that's the play that goes wrong.

It runs September 11th through the 27th

at the

Racine Theater Guild.

Let's remind everybody there's only two

ways to

go.

You go in

person to the box office on Northwestern Avenue or go to theracinetheater.org website.

No other way to do it.

Correct.

If you find another way to do it, run.

Yes.

Don't walk.

Run from

that website.

Only two websites.

Only one website and only two ways to do it.

Go to the box office

and your

box office hours are

Monday through Friday, Friday, 12 to 6 and 90 minutes before the performance.

You can also call them at 262-633-4218.

And

we'll give you Justin's home phone.

Yeah,

there we go.

Justin,

it's 1230.

I woke up.

I got

to

have breakfast.

Get down there now.

Open the door.

OK, and then, of course, RacineTheater.org.

That's our ticketing website, yes.

OK, we have Jocelyn Fish with us and she is the director of marketing and development at Racine Theater Guild and also one of their directors now.

But who directs the play that goes wrong?

The play that goes wrong is Doug.

He

does.

Yeah, he's a great

director.

Is he

tough?

Does he like bark orders that people say, hey,

you.

This show is really interesting because so much of the comedy is about the timing of things.

So he has been like courier.

is interesting and it's almost a choreographed dance to some of the comedy and that's you know is good comedy is the timing the coordination especially there's

six people doing the same look at the same time.

And so it's been a lot of, you know, repeating a rehearsal moment of that, you know, type of stuff.

Next show up is really interesting.

It's called Angel Street, but we know it as

Gaslight,

which was a great movie with Ingrid Bergman, Charles Boyer and Joseph Cotton.

And Angela Lansbury.

And Angela Lansbury.

An 18-year-old Angela Lansbury.

Yes.

Yes, he played the maid.

Yeah.

We just rented it from the library again to watch it again.

It's on Turner Classic Movies all the time.

It is so good from start to finish.

And I didn't realize, but the original show was called Angel Street.

Yes.

Yes.

So it is where the term gaslight comes from.

It's a kind of psychological, not quite thriller, but psychological.

of this gentleman and his wife and he goes out every evening and the gas lights in the house flicker and she wonders about that and there's strange sounds and she wonders about that and she keeps asking him about it and he's like, you're just imagining things.

Nothing's going on.

Nothing's

wrong.

And that's where the term gaslighting

comes from.

It is.

It is.

And so this is a, it's a kind of Victorian classic.

We just had auditions Monday and Tuesday.

I know Michael Klickner had a great turnout.

So yes, that will be coming up in October.

It's a very good story for that time of year.

People like a kind of like on the edge of your seat.

It is.

It is.

It is.

I'm not going to ruin anything for anybody, but it's got a great storyline, great ending.

It's got

everything in Angel Street, and that runs October 30th through November 15th.

Yes.

Then it's the return of the car.

Chitty-chitty bang bang.

Get your money's worth out of that car.

Well, it flies back in in December, yes.

And actually, we have auditions this weekend if anyone wants to come and audition to be part of the show.

Like we were talking about earlier, we always have open auditions for every show, even if we did it the year before.

Everyone has to audition so those are this weekend if people want to be a part of it But it's based off of the movie all the classic music great Sherman Brothers music Chitty Chitty bang bang of course two sweets of course and it's just You know one of the great great things about it, too Is it's our outreach show for local schools and watching the kids bounce up and down in their seats to Chitty Chitty bang bang?

The car is wonderful too.

It

looks like he's right from the

movie

Yeah, that's good.

And God of God, that part, by the way, runs December 11th through the 20th to Bang Bang the Christmas show.

God of Carnage, January 15th through the 31st.

What's

that about?

It's a comedy of manners without manners.

It is about two kind of happy sets of parents whose sons get into a confrontation on the playground and it starts out kind of as a civil conversation through gritted teeth and soon turns into a

finger pointing all out yelling just absurd, almost feral aspect to it by the end of I know better than you, I know better than you, how dare you tell me what to do with my child, blah, blah, blah.

And so it's a, it's a very over the top.

Comedy of manners without manners

January 15th through the 31st the cottage comes in February 16th through March 14th.

Can't believe we're talking about spring time.

I know

the cottage

the cottage is a farce a great farce a modern farce with no non-sternal coward a couple goes to their cottage retreat to have their annual affair rendezvous

And the woman reveals that she wants to tell her husband about their affair and everything.

Never a good idea.

Nothing good ever comes from

that.

And then it's who's sleeping with who and mistaken identities and all that good jazz, slamming doors of a farce.

Everyone loves a good farce.

And in the end, it's a modern farce.

So it has a little different identity than most farces.

you'll have to come and see what it's like.

April 19th through the April 9th through the 18th is Hannah's suitcase.

Hannah's suitcase based off of the true story of Hannah, a young girl who a group of students found her suitcase from the Holocaust and was wondering what happened to Hannah.

And so their teacher does this international research project to find out what her fate was and it blends

the students piecing together the pieces of this history and the history of the Holocaust at the same time.

And that will again be one of our outreach shows in April.

So we'll have a lot of students come and see that and get to have really in-depth conversations about the horrors of history sometimes and how we have to learn from the past.

And the 89th season finale is May 21st through June 6th.

This was a

big Broadway hit.

And it's not a happy show, but it's with 9-Eleven coming up in two days.

Yeah,

29th anniversary.

Yeah, this show has a lot to do with it.

Come From Away.

Yes, so Come From Away is about 9-Eleven, but at the same time, it's about...

It happened on

9-Eleven, yeah.

Correct.

The humanity that happened around that time, the way that we all came together to support each other, and we were all scared, and there was so much uncertainty.

Anyway, so what the main story is is...

On September 11th all the air traffic to the United States was shut down and so the planes had to be rerouted and

a group of planes landed in Gander, Newfoundland, in Canada.

In this town of like 9,000 people, all of a sudden had 7,000 passengers from all over the world to take care of for the next few days before they could leave.

And just the way that they treated them with kindness and respect and opened their doors to them, it's just, it's a really, really beautiful story and great music too.

Kurt Volman was telling me he saw this on Broadway and he said it was just a knockout.

Wonderful

show.

Wonderful show.

And that's coming up.

That's the big finale on May 21st through June 6th.

You directing any of these except for the first

one?

Just the first one I did.

Yeah.

Yep.

So I got a couple other things on my radar this year.

Oh,

really?

Well, some school stuff.

And then I've got we're planning again our 50th anniversary of the theater guild building is coming up and I'm putting that together.

And then.

couple other projects.

You told

me you may have some pictures for

our 100th

anniversary.

I do have some fun WRJN photos.

Yes, I got to have those.

The theater guild actually, we were founded in 1938 and in the 40s we did radio programs with WRJN.

I need those.

So I've got some nice newspaper campaigns.

I'll tell you what, go home, get them, come back.

I'll show them through the radio.

Everyone will have to squint at the radio to

see the photo.

Oh yeah, we want to see

those.

Yeah.

Now.

Spotlight series coming

up.

Yes.

So signature spotlight is also going to start up in October.

We are bringing a show called Queens and Kings of Soul.

So that's going to celebrate Motown, R&B, all kinds of stuff.

My wife didn't want to go.

Yeah.

So it was, we had a women of soul concert last year.

This one's still all women singing, but lots of songs by some men and by men too.

So great concert, great music.

You know, we'll have some

Rita and there of course and then modern singers to Olivia Dean I know Got a couple songs in there.

So that will be October 3rd And then the next one is going to be in December.

That's our Christmas one December 17th.

It's a Thursday Joe Cardamon and Melissa are going to direct that it feels like Christmas

Melissa Cardamon.

Yeah, no, she's a whatever guest at the

at the concert to

do.

We've seen concert then.

Yeah.

Yeah, so journalists are putting that concert together.

And then we actually don't have another signature spotlight all the way until June.

It's going to be the 10th year of signature spotlight this year.

So it's going to be 10 years in the spotlight.

And Rob Cruise is going to bring together the original creator of the spotlight program

concert in June.

I just saw him performing at a church, a Presbyterian

church with Bob

Benson.

And Robin...

Robin...

Oh my goodness, Robin.

I'm so sorry.

I'm losing my mind.

It's too early.

Oh my gosh.

Don't put me on the spot like this.

Oh, Robin.

Robin.

You're so

great.

Robin Wilkes.

Oh my gosh.

That took way too long to get that out of my brain.

We'll edit that out later.

Oh wait, this is live?

Oh right.

Thank you for coming in.

Yeah.

Okay.

So the new show is the play that goes wrong September 11th through the 27th and you have given us opening night tickets to give

away.

Opening night.

We're going to give those

away this morning.

Excellent.

Do it.

Yeah.

All

right.

Come join us.

It'll be a fun time.

Yeah.

And Doug Incident is going to direct it.

So you know it's going to be a good show.

Mm-hmm.

Well, when you direct, we know it's going to be a good show.

That's going to be a dad season tickets.

Hysterical.

Yeah.

What a great

show.

It was great time.

It

was something everyone can relate to.

Mm-hmm.

the family fights over the inheritance.

About the littlest things too, you know.

Yeah, right.

I want that book.

You can get this into the books.

I want it.

Good, I

want it.

Thank you very much.

Yeah, thanks, Don.

All right, Jocelyn Fisher, who is the director of marketing, development and occasional director at the Racine Theater Guild.