
Transcript
🎭cwACT + Schmeeckle Shakes present “Romeo & Juliet”
Director's Playhouse · Tue Jul 29, 2025
Ladies and gentlemen, welcome to WFHR's director's playhouse for this session 66 your host and program director
Here James J. Mailoff with my partner and art the head of sound around here Seth Habagger. Let's roll once a more
Once a more once more once more. I can do it that way. I'm Italian
You can't now. It's a little offensive
You doing it as a little was Italian
I was going to be clever and do the you know a Shakespeare line as we get ready to you and I totally mucked it up
Anyway, but that's why we're here today. We're here to talk Shakespeare
We welcome to the WFHR stage our friends from C. Wax Central Wisconsin area community theater
We have Joe Nowinsky with us along with Susan Edgren here to talk about their upcoming production of Romeo and Juliet and the Schmeckley shakes
You guys thanks for being here. How you doing?
Yeah
We will be excited. Yeah, we'll be excited when the temperatures come down a little bit
You know that that's one of the hardest things I think about doing theater outdoors
Is that navigating weather especially in a place like
Schmeckley and and that it's a little bit more exposed of a stage area. So
Like last night we took down because I saw the rain was coming because I'm a consummate
Forecast checker and we have to be we took everything down and I'm like you know what let's lower the tents
It's gonna rain tonight. It's gonna be windy. I haven't heard back from Pat yet. Whether or not everything's okay
But that's like just a little bit of the the nature of the piece because after doing it
This is our fifth Schmeckley shakes production nice
And I think we've learned a lot over the last five years Susan
But otherwise the show's been doing good the wonderful thing about this is that the next the next few days
There's no rain. It's gonna get cooler too. So we'll have very temperate weather for the shows themselves
So usually weather is a big driver of ticket sales. So
But you got to get your tickets clearly because the weather is gonna be great. Yeah, yeah, looks good
This is gonna be the easiest interview I've ever done
I don't have to say or do anything. Joe has got all of this
I'm just gonna shut up and just go. I'm actually I'm gonna go get lunch actually. I'm really hungry
I'll go. I'll go. I want to start off with the banquet
I think this is a fun part of this that really kicks things off
And then we'll get into the show itself and everything and you guys already touched on this a little bit now
The production date is July 31st. This is opening night for you guys
Six o'clock the very next night. You'll be having the opening banquet. It's gonna be going on
What can people expect with the banquet?
Yeah, don't look at me. I just know I can speak for free. I do let the app like a true actor like a true actor
Well, so so as many of you guys have known so Susan's
Directed three of our five productions. This is my first time directing a
Schmickley-Schakes production, but little little does everybody know the last five years
I'm actually the executive producer
So as the producer I get to put together all these little fun things that we get to do and then add on and one of the things
That CWACT had done in the past is we used to do a dinner theater every summer
I remember a bunch of shows
Larry Hanson used to direct I mean the last one I saw was nonsense
We used to do it at the Elk's Club in Stevens Point and we're trying to bring that flavor sort of the area
We didn't really have anything like it where we could have sort of that dinner theater
concept so during
12th night that was the first year we did the sort of season opening dinner and we called it like the
Cowboy Chuck Wagon or something like that
Because it was a Western 12. Yeah. Oh nice. Yeah, and then last year when we did
Mary Wives of Windsor it was it was a little bit more flavored towards like a Luwau because of the nature of kind of like the
1960s so this year we're really kind of focusing back on like well
We're in Appalachia
We're doing a classic banquet and just kind of starting the season at CWACT strong by making it like a season opening banquet
So there's going to be barbecue. They'll be you know country sides. We have a cash bar
It starts at five. We're actually still selling tickets. That's right. We have more tickets to sell for dinner
So that we really want to just have people come and early that starts at five o'clock
People can actually set up their chairs right away and they eat underneath the men's old family pavilion and
Schminkley shapes and they check on in everything set there outside
And it's really a great experience just to have folks from around the community
Usually the mayor Mike Weasel will come. I don't know if you guys know the eyes from
90 FM he usually he usually comes to so yeah
So we have a lot of local celebrities that come but it's really for anybody who's looking for just that full experience
So yeah, we I know we have a 60 total tickets. I think I sold about 30
So let's just keep folks who want to come should come and we can upgrade tickets to to if they have regular tickets
For the $20 that dinner tickets are $40 each so that includes the dinner and then access to the cash bar
I love the themes in focusing with the show playing into the show with that with the food and everything the idea in itself is great
We as you've touched on a little bit Joe
We kind of got away from theater dinner and a theater dinner and a show some of that and everything and I I think that when you talk to people
And what they're looking for out of entertainment what is what is going to bring them to the theater?
What is going to they want experiences?
Yeah, it's not just a great show
It's not just great acting all the things that we've known in theater our whole lives
They're good and they still want that but I want a little more now
I want I want a memory to be made here and oftentimes this is a way to do it is at the inner the dinner in a show
Something like that it really does help bring people in it does help bring you know
Maybe even your average plan or somebody who was on the fence about it bring them in there's also something kind of
Doing Romeo and Juliet and having a dinner beforehand. I don't know why but I feel like that ties in together so well
So there's the party, you know, there's parties in some life. There's some connections there
I feel like that maybe I just need to follow my advice. We could I said we could have had you know a wedding in morning
Okay, yeah
Like a like a like a like a post-show luncheon, you know
With so morbid shoes and so morbid
The luncheon is important. It's a bonding experience
But now we're going to go with the banquet before Etsy for positive guy
It's a great idea and
It's something that Seth and I and Melissa we talk a lot about on our morning shows
We don't have nearly as many opportunities for strangers sitting next to strangers and laughing
We don't that whether it's the movie theaters or theater. We're not doing it as much as we used to any chances for that in
Opportunities for that we want to embrace and you know have more of them and this is our it's great to hear that some tickets of sold
We want them sold out. We want to get a full crowd out there for you guys in a full dinner hall for you guys with this
So that is fantastic. It's a great idea. Thank you. Yeah, so we're at about I think right now
Over 200 tickets sold for the for the whole weekend
And I've just been pushing the idea that it's it's good weather and I'm always surprised for this event to how and for most of our theater events
How many people will buy their tickets either the day of online or they'll have walk-ups, you know
Yeah, I so that that's something too
So I will say that there are a limited number of seats in the space
So if people are
Going to come to the show my biggest suggestion is make sure to get your ticket early and then make sure to check
In early because the way that this seating works that Schminkley is a little different
Basically at the in the space there's you know rock seating where people can kind of sit on the rocks and in a certain level
But people are also allowed to bring like
Cushions we've had people bring even like their
Camp chairs and stuff like that
Just because it once again like trying to once again create the experience and having people
With their things kind of come in and and and make the theater spot their own right and their blankets on the hill sides
I'm both. Oh, yeah, that's like my favorite. Yeah, yeah, and sometimes we've even seen like especially on the Sunday mat
And they we've seen standing room only
Wow, so people are standing
The rocks at the top of the hill. Oh, it's awesome. I I met Jels at all. I
When it comes to I
One of my questions that I like to ask when it comes to picking a play and stuff and choosing the play
I like to get into that it is never felt more silly to ask that question when it comes to Romeo and Juliet
Why you would choose to do Romeo and Juliet, but I am I am a little curious because
As we're talking about bringing people to theaters and there's no theater in the world
No matter what we're talking about that as well. We're good. What we don't need to worry about getting people here or anything
Every every theater company at least if you're not worrying about it, you should be
It's important. It's it's you know to bring people in and keep new people in as well as our recurring people
A show like Romeo and Juliet there
There may be no other play that I can throw out there and everybody if you've never seen a show in your life
You know what I'm talking about and you even to the point no a bit of the concept a bit of the play in the process and stuff
So Joe to choose a play like that I think is a brave
I think it's a great choice and it's a great one. Yes, it's known in everything
But you're also walking in with people are going to have well, I've seen this
I've seen every version of Romeo and Juliet. I know this show
So whether it's it's you or the actors to challenge yourself with this
I did Romeo and Juliet twice
It's the only show that I've done twice and it's the only character. I played twice Mercutio and
Both times I got that feeling going into it. Hey, what do you got?
I've seen this. What do you got and I love that? I love that challenge because for one you guys will bring it
You guys are going to give them something. I have every confidence in the world in that
I'll say that I think that what I tell any any kid that I've ever had is that wants to reinvent the joke
Like just tell the joke you telling it yourself is going to make it original
Nobody like you in the world so you're going to put your own spin on this like nobody else
Nobody's told how to check and cross the road like you have there's nobody like you
So you guys doing these parts you directing a show you're there's nobody like you guys
You're going to give a different spin to this you're going to give something that audiences haven't seen
But it's still you got to make that decision
What was it like and what did you have other choices? You don't have to tell me the plays
But was it just oh, I'm doing this or did you do you should you chewed on it for a while? Well
You know, it's been kind of a still it's a story a long story short
We've done four comedies in a row
Which weekly shakes and I have been complaining since the third comedy that we need a
A tragedy or a history which histories hard to do for Shakespeare because most people lose the historical context
Lots of great stuff there
But just the nature of it was you know number one switching up
The to a tragedy
Two was you know, of course who's willing to director able to direct and we've had a couple directors
Be interested in doing other tragedies like I've heard whisperings of people on to do Macbeth
That's me. Yeah
Well, that's good to say. I know. Let's talk to Jeff cook about that Susan not whispering about it
Yeah, yeah, but like King Lear there's all these really fantastic shows
um
But I I have been chewing on Romeo and Juliet for a while personally
Um, and I you're you're absolutely right James one of the things that as we were picking the play and was again as the producer
I have the sort of
Process from the beginning to the end Susan. Let's me do all the all the all the administrative work because of course
But the reality became
It's 2025 and we live in really interesting times and I think the reality behind Romeo and Juliet
Not only was it a conscious choice because we wanted to do a tragedy
It was a conscious choice because it's popular because I think what's again going back to it
It's a popular show. It's got name recognition
and then you know
2024 happened and
It's 2025 right now and I don't want to make this into a political thing
But I want to say that
I mean, I mean yeah, well it's hard to get really avoided. Yeah
It's gentle. Well and and the reality behind Shakespeare and I wrote this in my directors notes
And I asked this for every play I'm ever in which is who is the protagonist
Who is the person in the play who does the most change who at the end
Kind of has that you know a pifty moment. We you know, we follow their catharsis and the reality of the matter with Romeo and Juliet
Is that there really isn't a character that changes
Except and this is going to seem crazy. This is my interpretation mind you the only the only characters that change
Our Lord Capulet and Lord Montague
This is a play about society
It is a play about how the actions in the society are pushing us to find peace with one another
But the inevitable construct of the society is focused on hate
It's focused on derision and the reality of the process is that and I tell us a lot
It reminds me a lot of thinking about Hades town for those of us who have seen Hades town
Which is you're ready to see an orpheus right and and and Hermes the beginning of that says specifically
Maybe this time it'll be different maybe this time the song will be different even though we know it's not
But that's actually the purpose of Romeo and Juliet because at every turn
One thing could have changed the outcome of the whole play
But it doesn't right because the action still happens as is right if if if
Romeo has found out at the dance over right if if if fire Lawrence was capable of going through and getting them married and and revealing it to the whole city
Like these people love each other and we should totally changes the play, but it doesn't happen
Because in the end, you know, we're trying to prevent
sacrifice and
And essentially the fall of this town right we're trying to avoid
tragedy in real life
Because if we hate our neighbor if we hate our brother
Then guess what we're going to find we're going to find tragedy
But it's through the tragedy of Romeo and Juliet that the town
Comes together the families come together and my question to you is James. Do you think we as a society today in the United States
Can avoid that tragedy to find peace?
Yeah, that's the that's the question that this show is trying to ask
Well, I will say with my last naive bone. I have my body. I believe we can
I believe we will I think that it's always dark as before the storm and I as a kid who has studied a lot of history and a lot of rises and
Fallas of empires and things that's where we're at right now. We're a young country
We're a teenager of a country compared to the rest of the world
We're going through some growing pains and I think things are rough bad. I'm not under stating anything right now
Any more than I would anything of 20 50 years ago in the problems we had then but I
I'm a silly American and I believe in this country and I really do believe that
When it comes right down to it the land the people
We we make things happen. We we always have
It's not a it's not some billionaire
It's not somebody who is power hungry or wants to be a dictator that chooses our today or tomorrow
It's we do that and we do that together and a play like this like a lot of Shakespeare's work has
You know modern ties to it or modern relevancy to it and everything and 2025 and the things that you're talking about Joe
They're not new to anybody and
Something that we all have to face day to day
The thing that I think that is upon all of us as Americans every single one of us if you're going to be in this game
Do what you're doing right there and put some good in do anybody can bark anybody can complain
That's fine. That's part of being an American
But what do you got to what are your solutions? What are you doing to help?
Because we got plenty of people complaining we got plenty of people barking and everything
But what you're talking about there with that and giving people and what can I do with my skill set
I'm not a doctor. I can't go heal people. I'm not a politician. I can't lie
I'm sorry. I had to do it. I had to do it
No, it is a universal truth
I was but it all serious is but I we got this skill set of being able to entertain
So how can we bring help people while entertaining with this skill set and something like this a show like this touching into things you are there
I genuinely I believe in what you're saying. I think it's true
Certainly for a show like this but really any theater again going back to
Stranger sitting in a building together laughing at the same thing and and saying oh you think that's funny too
We didn't well how is that possible we didn't vote for the same person how can we laugh at the same jokes
Well, we've been doing this since the beginning and like this is about what we've done as Americans forever
Let's get back to that reminding each other of that and not being so divided by these
Basically people that divide us because they have all the ulterior and ulterior motives, right?
But I'm looking for them and yeah, you got it the other thing that I think is really remarkable and you totally touched on it is
How relevant Shakespeare still is it is amazing how we can still find on just about every Shakespeare play you can find things that still
resonate
Extremely well in this day and age in 2025, you know who do I thought did Shakespeare think that when he wrote it?
Probably not it's like oh I got to get it done. I got to get it done. We're on stage of the yeah
I've got a dead line. Yeah, right
We're human nature doesn't change
You know basically
He knew
Lying politicians or they didn't call him politicians in those days as much but he knew
And he wrote you know first thing you kill all the lawyers
But he wrote actually so much of what he was writing he was using
Yes stories and you know that he had read or heard elsewhere, but he was also using current events
You know, I've been reading that so I've been doing the last few years is reading a lot of books
nonfiction books about what was going on in Elizabeth and England, you know during the time he was writing now
I'm in the middle of Dan Shapiro's book on what was going on in Jacobin, England
He was writing the Jacobian place of which Macbeth is one
Kind of sad
A passion for Romeo and Juliet. I mean he's been telling me for three years
You know, he's had this concept of what he wanted to do with it and he had to just wait till time
The time was right with his you know personal life and never be able to do it
And I've had a passion for you know those comedies that I've directed but I also have a passion for Macbeth
Oh, yeah, you know because it's also very much
You know absolute power corrupts absolutely. Yeah, no, there's that theme in there
But there's also other themes, you know that I really am just dying to dealt with that
I've been working you know with the play myself for a few years
Let's get into that part of it because that is another really awesome and creative part of this and and something we've seen in times before where
Romeo and Juliet or other Shakespeare plays are modernized or they put a different spin out of there's something
Like that. I've never heard of the idea what you're doing with this version of Romeo and Juliet
And I purposely not touched on it yet. I wanted to just go ahead and talk about the show the presentation some of that
And let you guys speak to how you've re-imagined this classic
Wonderful show. Okay. Okay spoiler alert on this one
Because as soon as it's been like oh Joe's been talking about this forever
And we did I you know the the board approved my my directing back in november in December
I got a
Flyer in the mail for a production of Romeo and Juliet by the Milwaukee Reptory Theatre
set in
Which is literally the setting I had I've been working up for so long and of course great minds think alike
Um because kind of going back to what we were talking about before right the goal of this production was to make this story
American uniquely American but also
Hit touch on the history side so I used to teach history for about a decade
I work at a mid-stake technical college right now
So education's been in my my background
But one of the most interesting time periods that kind of keeps getting brought up colloquially is the Hatfield McCoy
A conflict right because it's something that's uniquely American
It represents this Appalachian theme and what happens in sort of like these back areas and kind of the nature of the process of how these conflicts happen
Ironically historically there is a Romeo and Juliet-esque story
Nestled in the Hatfield McCoy feud of Kentucky and West Virginia like and that's what once again
All this was has was just fueled of the fire now. Of course that story ends up differently than the play itself thank goodness
But it goes back to trying to bring this current
Trying to tell an American story and then having that American story resonate with the
Actors and this and the music and the sound and the space because you know
Is a is a is a naturalistic location right very pastoral and you know
Romeo and Juliet's a very urban play right so to turn it we we I wanted to you know
Not just kind of keep it for the space itself and interpret it for the space
But also bring in other components that can really heighten the
Appalachian bluegrass country feel so for instance one of my and I was working on this basically from the moment
I heard I was directing was who is going to do the music
Because that was such an important component of bringing it into the piece
So it brings off the intensity to what's going on and I
Honestly feel like I hit a home run because um
Some friends had told me about a few folks one of them was art Stevenson art Stevenson
He is it he's gonna yell at me as it's high
Archie Vincent and
Deep water do you remember the band that's high water high water. Yeah, I think you are
Archie's in high water now. He won't yell at me
But I had gone out they play a little they play in a little place just east of rosh hold
Called Bart's pizza and I had gone there one time and he plays there from like seven and nine
And then he'll do like an open mic and I I went there one day
I took my wife and kids which was a little awkward because we were in a bar
But we had a good time with great music and I I talked to art and I'm like hey art
I got this great idea and art had always wanted to do theater right and
But he he actually used to work at UWSP in the scene shop building stuff. Oh, yeah
Yeah, yeah, but when he was just because he was a UWSP graduate just like myself
And so I was like oh awesome, you know, so he but he's like I've never had a chance to be on stage before
And I'm like I would love to be on bringing in on this capacity
I think it's it's such a fantastic piece and and once again once I kind of explained to him like I did with y'all about sort of the
the setting the purpose and then
He was he was sold, you know, and I think that that's one of the things that you know
Actually, I think I'm going to talk to the cast a little bit more tonight about you know
Just the nature of how this show is is not about like one single
Individual it's about the society and what art does is the music just wraps around every bit of the show
Um, and I actually am just really thankful for art and I might get a little cry here because it goes back to
Well, it's just that
So it has been a dream
Yeah, it's a very
So it's just really made in
Yeah, well, and then I um
I wrote a couple pieces for the play myself because I'm a musician. I
I'm a lyricist so I
The two main headlining songs I had given to art and I'm like I want to try to incorporate these into the show
You know, and he's like well, take a look at them and and what he was him and and in
and Pollock and Kyle Miller were able to do with the pieces. I mean
Yeah, it was like literally meeting meeting a dream like something I couldn't I couldn't have
seen
Seven months ago. Right. If we were to have the same conversation to have that kind of uh, you know
Really what is just a gift to watch happen in front of me. Yeah, amazing. New new
Musicians to me. Mm-hmm. I've never run into them. Never met them before
So you have art who sings and plays guitar and harmonica
And you have Anna who sings and then you have Kyle who's either on banjo or fiddle. Yeah
And it's they're so good
They're so talented and so much fun. They're such lovely people to work with. They're having a ball
Yeah, that's great. Yeah, let them
Actually, it's it's hilarious and this is like one of my favorite things about this show too because
Susan just such a great job of interacting with not just all the actors, but all the other pieces, right
And it's one of those great things we could bring fantastic folks to the stage and just watch them all play around
That's obviously the my favorite things and I got really inspired Susan last year from
From Mary wives because Mary wives had this great sort of very colloquial talk back and forth and the characters
Would always have these little things and I think it brings us into the world
So much better because it also um, you know unlike Mary wives
I think this show also does this bricking the fourth wall, right?
It really a lot of people are talking to the audience and that's something that you know
It's harder to do for some productions and I'm really happy to bring it to this production because if you go back to the globe
You go back to you know 1599, you know
In 2025. Yeah, they're talking to the audience
You know right right and that's good because then it brings them in right and it once again it makes Shakespeare less
Less foreign to people
Because I think that's the hard thing and and I my my my dad's in the show
Uh
He's I love him to death, but the other day he's like
Well, I don't want to watch our tricks burst off and I'm like well. Thank you for being in the show number one
He didn't he didn't like your set decor on the hill
Yeah, he got well, that's a different story all the guys. That was it by set decor. We got it
But but I what you know what thing he was able to you know once again is trying to bring meaning to the words right and it takes
Fantastic actors to help us understand
What it means and that's actually just one thing I'm super thankful for the cast everybody brings the meaning and it makes sense
He's doing a great job and I really you know, it took a while to get started
But he and I have you know scenes together. We have stuff and uh
He's really come a long way. Yeah
Yeah, he's actually when the spot where he you know throws me around and yells at me. He scares me
He's a scare. Oh, yeah, that's just a little bit of my childhood
Oh, like like all theaters. It's also therapy. Yeah, true theater. Yes
Um, a lot of people don't realize that. No, they don't see it or means therapy. Yeah
Yeah, that's right. This uh, this wonderful production is going to be surrounded by incredible music
Be sure to take that in along with all this in the setting and the great
atmosphere that you're going to have with this you'll have that at music uh to bring you with the soundtrack of this art
Stevenson an artist and a music that you can prep for with some of our shows on the weekends on our sister stations. Yeah
That's right
Oh, yeah, the trail to the best of cowboy western itself of the border songs then right after of course is red folk in blue
Laura's amazing Americana show that lots of bluegrass and folk and other
country-ish songs if if it has any
Small tangential connection to country she plays it. So yeah, it's really amazing
So check those out on Saturday nights check those out everybody and thank you so much for listening Susan
And I don't want to keep you guys too much longer here and anything but I have really a really appreciate the time
And thank you so much. This has been a blast
Susan with your character. You're playing the nurse
Uh, tell us a little bit about that and and what how that's been for you
Playing this because you've played so many Shakespearean characters before and so if you haven't done this one
And directed a lot of them too
Actually, I have done this one before but not the whole play and I've played a lot of characters
Yes, but they were out at my during my uh, either you know rent fest years
Okay
Scenes you know all kinds of different plays and then we added two guys and we did more scenes
But when it comes to actually being in a full-scale long you know after production
It's only been the tempest
You know when I was in about 24 and and now
Wow, that's the big reason why I audition because I wanted to be I wanted to play her for the entire play
No, and and I'm I'm the right age now
When you're 22 and you're playing the nurse
And your best friend is 22 and she's playing Juliet as a little bit. I should tell you about my
auditioning for Atticus Finch at 25
Just dumbfounded that I wasn't cast like what I am so good
Uh, that's good. Yeah, if you go through college, you know, especially as a theater major you all do it
You need to play roles that you know, you're really ready for
Um, I joke about that but uh with a role like that
That is something they well if I'm lucky enough to get older
I can look forward to maybe I can audition for that again and maybe do it one day
Did you ever look at this pair uh character like that?
Uh
I can honestly say um, no actually, you know, uh, I've been so
Focused on doing other things and mostly my directing
I really kind of stopped thinking about all the various rules. I could actually still acting
Except for arsenic in a lace and I missed that opportunity because they were in Texas
So
You know, but no um, but this has been she's a ball. Yeah, you know, at the right age to play her now
She has um, she's actually been a wet nurse
I've kind of created a backstreet. She's not just for Juliet
But I think she's been a wet nurse in town for quite a number. I think that's why
uh
The actor who plays tibbled and I guess we're supposed to be so close and I we figured she probably nursed him
Oh, yeah, okay
kept up until Juliet came along because he's a lot older than she is and so then she but she kept up
You know, he's still in the family
She's still kind of looked after this little kid and she's you know, Juliet has been her prime
primary focus since she was born and so she
As so many she's kind of a surrogate mother
In a way she's still a servant, you know, she's still a hired help
But she's the one that's there for Juliet all the time. She's the one that hears Juliet's all of her gripes
All of her joys all of her, you know that I did I did that
Juliet teases her like she doesn't tease her mother. Yeah, you know
There there's a different a closer relationship there. I've not thought of that. Yeah, so uh, yeah, oh, we have a lot of fun
Rachel let me have Rachel's last name. I'm terrible with names. No, I technically I mispronounced it at at the mid-stage
It should be I think it's
Krujewski. Okay. Just don't Krujewski. There you go. There we go. Rachel and I are having a had a wonderful time
And we do have a good rapport
Together and we have funny scenes together and we have very sad
Things together. Yeah, it really runs the gamut and it's actually just been a joy being able to direct Susan
Because Susan's been my director too, but I've also been Susan's director before we did that in the family
Yeah, and and what's really great is and this is what's a fantastic for me
Just to kind of interject my director isms here, but both Susan and Rachel play so well together and
My favorite is just yeah the the interactions between them because it feels so real it feels honest and
Yeah, it spans the whole gamut from yeah making someone laughed making someone cry and that's uh that and that's what we do in theater
That's that's the goal, you know
You've touched on this a little bit Joe
I just wanted to get to this a little and then get into the details when people can take in the show and we'll wrap up here
But you the outdoors part of this where you guys rehearsing outdoors as well because you know in case it hasn't been clear to everybody yet
The show is taking place out
But did you guys rehearse that way or did you have any experiences with that before getting out there into the wild?
Uh, we have always dreamed about going out during the regular rehearsal process. He has
That's to be clear to be fair. I mean, I mean, I mean the same as you met
Um, one of it's the nice thing is that we do have access to using it for the regular rehearsal period
Uh, this is just really nice and I know
WRCT folks and you know lots of folks in the area can really you know really appreciate having the space to work in
It's a controlled environment. We're allowed to bring the set out there all the props are in that single location
But have a going out to Schmeakley and rehearsing while awesome and fun and exciting
Before that first week
We wouldn't have any of those pieces out there
That's kind of the hardest thing is what you're going to do
All props and sets it would be left behind
Um, and then this year he tried he did try to schedule it a couple of times and then it rained
Yeah, of course
Yeah, you know that it just was not in the cards. Yeah
And that's okay. We don't really get we get load in, you know
It's the weekend before and then that we guess pretty much like we have it sentry for inside
Yeah, really the same kind of schedule. Yeah, interesting
And then what's uh what was great is so today's Tuesday yesterday was Monday
We had our first
Dress rehearsal yesterday. So this is the first time we we were using all the costumes
We were using microphones. We were out in this space. I mean
Yeah, yeah, and so
Even with all of those new additions
From the perspective of the director
It was so beautiful
Um, and that's kind of the best thing is like if we had to put tomorrow's show up and show that in front of the audience
We had a fully together show all the all the all the pieces fit
Are there oh, yeah, oh, you tell the guys back in the tent all the guys that are involved in the fighting yeah fighting is really good
Oh, yeah, oh great graphed all all of the stage fighting
And we've been watching it and it just keeps getting better and more realistic
They're getting really into it, but I'm sitting now back in a tent off stage
And all I can do is hear it and I told the guys my gosh. It sounds fantastic just because they're voices
Just the lines and the grunting and the fighting and then you know, it sounds
Really kind of real
Nice and it looks real got I the first time I saw it in the rehearsal space
fully at full speed I was afraid and
And and Christopher and I had worked on those fights for two months before we started it
And him and I had a good understanding of how they were gonna go that would he showed the actors how to do it
And I watched the actors do it. I'm like someone's gonna get hurt
But we have a very important rule at rehearsal, right? No
Hospitals so that stage combat. We are always safe before so just know how to say no know that no actors are purposely getting hurt during the production
Um, and we so far well, and we go through lots of safety training and we do our fight calls beforehand
So uh, but that's like the yeah, and Susan said the weapons aren't plastic. No, they are
I am I haven't directed in a while, so I'm taking that note no hospitals
Yeah, great. No, Joe. Thank you for that
Yes
Yeah, we got so close
We got so close than the right towards the river week of
It was the week of two weeks doing that
Um, so real quick before we let you go into the details of when people can take in the show and get tickets and everything
Susan has been through this before but I
Wasn't sure if I was gonna do this or not. I'm gonna pull this out. I'm just gonna do it. Joe
Joe hasn't been through this before yet
So I haven't like I have a question that I I like to ask everybody um, you know
Before they leave us in the first time they join us and all that Joe
And it's really just an honor of kind of inside the actor studio and some of that and everything
And the great James Lipton always wrapping things up with a wonderful question
So for my few of my question if you could have coffee with any historical figure who and why?
Oh, and as a history person you think I'd have a really good answer
I was so excited when you said to your history
Oh, yeah, well, you know coffee in the western world didn't really exist before like 1700
So I'm gonna go I'm gonna go post 1700
And you know, I'm probably having coffee with a guy like Teddy Roosevelt. Oh
Yeah, and I'll tell you why I'll tell you why Teddy
Um, so and I go back right as a history person, you know, Teddy Roosevelt represents this really
unique individual in history and he was not a perfect person or a perfect president by any stretch
So that would be a great I like those conversations would be wonderful
But he was also probably one of the most intelligent people
To be president in the history of the country and the amount of book reading he did the kind of nature in which he
handled
How to deal with reform and how to how he thought about positive change for Americans, you know
It's something that you just you know today
We I think would be great to wrap wrap wrap our hat around, you know
And probably I'm just gonna got my my uh my honorable mentions probably a guy like Nelson Mandela
Yeah, yeah, just because understanding how to you know fight against depression when the whole societies against you
And yet in the end still find success, you know, like how do you deal with the
Yeah, like how do you navigate being imprisoned for so long and still keep your moral and ethical compass, you know
And then the third would probably be the Dalai Lama
Yeah, yeah, all of them all of the Dalai Lama is I don't want to talk to you
That's either the beginning of a great joke or just a really nice afternoon
Three Dalai Lama's walking to a box one ducks
Fantastic answer man. That's fantastic. That was really good
And appreciate that and appreciate you guys being here today. Thanks so much for hanging out with us
Taking time with us. Please say hello to the cast
We want to shut out the whole cast all the crew everybody working behind the scenes to make this happen
The production everybody
It doesn't happen without every single one of you and we greatly appreciate you all
Wish you could have been here with us
Appreciate you guys being here though and talking about this make sure to get your tickets go to cwack.org right now get those tickets
Right to do it. I go
Get those tickets right now and be sure to be ready for July 31st when the premiere shows premiere at six o'clock then Friday, August
First, they'll be back out of that six that of course will feature these season opening banquet and performance all of that
That'll begin at the banquet will begin at five. Yeah, the show will begin at six. Okay, that in mind
Saturday, August 2nd, six o'clock show and then everything will wrap up on Sunday, August 3rd with a two o'clock matinee
This all takes place at of course, Schmickley reserved. I say right this time. I always mess it up. I always mess it up
Yeah, head on over there and check that beautiful area shout out to them by the way to love that area
I love everything they do over there
And you get your tickets at cwack.org everybody cwack.org by local support local support the arts
As I remind you always Wisconsin finished dead last in the union at funding the arts
Let's change that. Let's work that around and let's support our locals and enjoy and you guys have a great run
Enjoy yourselves. Thank you. Thank you. Yeah, good time