Welcome to WFHR Directors Playhouse, this January 22, 2025 session 57 of your host and
program director here James J. Maylove. We are joined today by one of the greatest
improv artists we have ever seen award-winning performer writer and one of the
stars of the British and American versions of whose line it is to
anyway we have Colin Machery on the phone with us good morning sir and we
have the hilarious well world-renowned hypnotist comedian creative Assad
Mickey Assad thank you for being here thanks for having us appreciate James
appreciate both of you being here we're hanging out today to talk about hip
broth the live show combining hypnosis and improv to art forms that have
mystified entertain fans skeptics and everyone between the worldwide all
around and totally unique comedy experience you get a chance if you check out
some of the videos of this if you've seen a little bit of it online already
of seeing how when these two worlds collide just how creative and fun it can
be we're gonna dive into that in a little bit but we're also gonna get to know
you guys a little bit too that's something we love to do here on the show so
first off how are you both doing how's your new year starting off so far so
good still alive always a good way to start the year it's a great start it's a
good start yeah yeah it really helps with the tour yeah looking just yeah
everything's good families good works being fun so can't complain excellent very
good great over over over on my side was just in Hawaii for a little bit of a
workcation and now back here in Toronto so it's it's been a great kick off to
the New Year it's fantastic good to hear real quickly I I shouldn't mention
journalistically that I'm an actor I am an entertainer I have been doing this
since I was seven I have had the fortune to work in mild stomping grounds at
Chicago second city and consider it a second home in many ways so there will be
no journalistic integrity with this interview we're just gonna have some fun
and talk a little bit about creation creation and you guys a little to have
some fun with this let the audience know what this is all about and gentlemen
before we get into this just a couple of quick questions before we're diving
the details of the show we enjoyed to get to know like an origin story of
people Colin I want to begin with you can you tell us a little bit about your
background a little bit where you come from sure I was born in the last
century 1957 in Scott Kilmarnock Scotland so that's where I started my
journey and then my parents immigrated to Canada when I was six to Montreal
the very couple of years and then I went to ending up in Vancouver where I went
to fever school then they thought a demonstration of this thing called
theater sports which was improv in a sort of a theater setting and I thought
that looks like it would be fun to do so I joined the theater sports league and
then it just kind of blossomed from from there I it started up as a little
nobody knew what improv was at that time it was like 81 I think 81 so we had
to pull people in from McDonald's next door and they would be asking what's
this all about we don't know you see all things out of and then from there it
became the big cup thing in Vancouver became incredibly successful and then I
was doing shows at expo 86 and then followed my good friend myself to Toronto
where we got involved with second city and then through second city producers of
food flying were doing sort of across country audition tour I didn't get it
that time but I saw them again a year later and then ended up flying to Britain
to do this little show that I've got what I want to see it was for British people
and then if I think hit in Britain and I was treated like a god and then I
come back to Canada to nothing and then it's if that is to do an American
version and then that's where things kind of took off on me Colin when did
you become a robot no I'm kidding but a little bit in there a little bit in
your answers there it became a little robotic a little bit some of the
connection here just got a little distorted but we we heard everything and I
appreciate you share that man thank you so much interesting path to very
interesting path for you Assad how about for you can you tell us a little bit
about your background thank you I'll be lost and he really is the worst one
I'm going to go ahead and pause it for a second sorry
no it's so distorted what can we do here to clear that clean up this
audio to him what do you think I'm not sure for a long time meditation
visualization self hypnosis they're all very much intro-related when I was in
my first year of university one of my good friends Ron and cats went away to
Hawaii over spring break there he was sunburned very badly he was traveling
with his father and his father's friend who used hypnosis in his dental
practice believe it or not you can use hypnosis for painless dentistry painless
surgery chronic pain management so anyway this dentist hypnotized Ronny to take
away the itch associate to the sunburn and I listened to the story and I was
absolutely fascinated by the subject fast forward later I was self-taught I was
hypnotizing my buddies to do wacky things in the dorm rooms that then from
there I ended up taking the show on the road that's my solo show is
performing at colleges and corporations around Canada a large South Asian
group added a pyrumy to perform for their conference on a cruise line and one
of the cruise vectors from Carnival cruise lines saw the show and loved it and
then asked me to perform for the cruise lines and then from there I did about
16 years performing for Carnival cruise lines and celebrity and Disney and
Royal Caribbean from there I ended up wanting to get better at my craft so I
ended up taking courses at the second city oftentimes instructors would say get
out of your head you're too much in your head and what I understood that to
mean is stop consciously constructing the comedy and then I thought to myself
wait a second I see what they're doing here they're overloading the
conscious minds of the people who are taking these classes and then they're
getting a knee jerk reaction a unconscious response that you will so I thought
is it possible to hypnotize somebody because with hypnosis you're engaging
the conscious mind and then working directly with the unconscious mind so I
thought is it possible to hypnotize somebody who has no experience in improv and
turn them into great improvisers and the answer has been a resounding yes and
it is possible then to bring in the world's greatest improviser to improvise
with these people on stage while they're hypnotized I mean the rest is really
history we've toured the show now 150 cities across North America we've
performed off-broadway to critical acclaim we were written up in the New York
Times Wall Street Journal climb out New Yorker Forbes I mean we're on 150
cities we've done 150 cities tour across North America this tour the yes it's
real tour is 57 cities we're kind of in the midway mark and now we're coming to
what's out to perform I believe now this will be our second time performing
last time we sold out and I expect that we're gonna sell it again yeah I can't
wait we'll talk more about the show in a moment aside but I'm curious too and
I'm looking forward to hearing this from both of you guys but you in particular
when it comes to influences I was seven years old I was watching Rob Williams on
Morgan Mindy and knew exactly what I wanted to do he he took me out of what my
head out of my moment one of the harder days of my life when I was a little kid
and made me laugh and I didn't think that was possible and immediately that's
what I wanted to do I want to be able to do that for people when did you know
or what influences that you have that led you down this path man I didn't
think it was that kind of question I didn't think it was that path sorry James
was that directed at me yeah I'm sorry yeah I'm sorry I was I meant to say
Assad direct that towards you yes I'm gonna ask you both the same question
though so can you ask that question who are some of your influences that
led you down this path oh I think Mike Mandel is a mentor of mine and a very
famous Canadian hypnotist and you know I started taking classes with Mike
probably going dating back now to the early 2000s and he just is excellent
practitioner of hypnosis and early linguistic programming he's also a you
know dear friend of mine and it was great to be able to work with somebody that
was so knowledgeable in the field of hypnosis interesting very interesting and
for you how about comedically were there comedians were there people that you
saw that you felt you could combine these worlds even though it hadn't really
been done before I mean I really enjoyed watching whose line there was it was
obviously it's an easy it's an easy leap to understand why I ended up reaching
out to Colin to do the show because I always just I would laugh out loud
watching their stop they made me just crack up and I love the combination of I
think that with Colin in the show in particular I see that he goes he he really
runs the gambit where it comes to comedy like what one minute it's complete
slapstick the other moment it is the wittiest dry humor and he's kind of he's
able to shift so seamlessly from all these different genres in comedy itself
it's it's amazing it's like a masterclass in comedy it's amazing to watch
hmm thank you for that best I'd appreciate it Colin how about for you what were
some of your early influences so many anyone who would make me laugh I sort of
watch and study and see what is it about them that I'm funny funny what is it that I can
feel and make my own so it would be like you know from um you know uh
Charlie Chaplin and um Buster Keaton uh it was big
end of the Bob Hope being Crosby movies I love the way they would always
expect the fourth wall and sort of play on their personas Jack Danny the dick
show Monty Python uh the SDTV people um never it's a long list yeah um
anyone who could I kind of became a I studied comedy which is you know the worst
thing you can do just watching a movie instead of going oh that's really just
sitting there going oh that's really funny how they do that what are they doing
but um I it always fascinates me how people's um the sense of humor can be so different
I mean being a dramatic script I mean everybody reacts the same way to a dramatic event in their
life whether it's losing a relationship or a family member or you know all the little
and big tragedies we haven't had a life getting a bunch of people to laugh at the same thing is
incredibly hard just because everyone um sends you humor so so personal so I always find
a challenge to uh go out and go okay I'm gonna try to make as many people here laugh if this
one thing I'm doing I don't know what's going to happen and sadly sometimes it's going to learn
from that yeah yeah but it it it it's first off the names you mentioned I I think I
and many people uh really felt all those names Charlie Chaplin in particular the gold rush is a
gigantic influence on me and him as a entertainer alone I was lucky enough to have uh grandparents
that really uh they when I told them when I was a kid I wanted to be an actor I wanted to be an
entertainer they were like fine but you're gonna sit down and you're gonna watch the greats
and and I got the chance to do that uh and and study those guys like like you're talking about
there and I think when it comes to comedy too uh one of the things that I love about it is not
just that it can bring so many people together from so many different walks of life but the idea of
say we we've all had this hopefully happen to us we're sitting in a movie theater and we're
laughing at something and there's people complete strangers laughing at the same thing um in a comedy
club or or something like that we don't have enough of those moments in society anymore and when
we have them now they they they really make an impact I feel like they really mean something
and you guys to bring that in the droves uh to audiences just a couple of more quick questions
before we dive into the uh details of the show Colin I was uh doing my homework on you and uh
you moved around a lot as a care bit as a kid and as as did I and I'm an admirer of impersonators
and voice artists and people who can go uh do accents so well I study that a lot
Phil Hartman Darrell Hammond Bill Hader they all had similar backgrounds as well
I'm wondering do you think in almost a silver lining kind of way that that having a background
that moves us around a lot gives us an opportunity to have a uh be better at these techniques at
accents at voices at being able to you know just think on the top of our at the top of a cuff and
just you know be able to improv like that I just gave a really bad example of improving as I could
not come up with a third example right there so that's good you know it's the magic too
very possible it's becoming very popular these days um I um I want to actually think about
earlier uh it didn't help me because I mean part of it both sort of amplified the shyness that I
had uh because you know I moved around so much you know I so I get comfortable in one school
and then we move to another one then every once in a while there'd be a moment where I move into
a new school and I would go you know what I'm gonna try this guy a more confident version of me
and that's when I first started getting to see her and um things like that and you know you learn
to sort of quickly assess the situation the new situation you're going into um so yeah I think it
did help is um very traumatic way I practice and use some therapy to actually sort of sort of
sort it all out but yeah I think it did help it did help me sort of be able to switch from one
thing to another it's these uh yeah I'm a big believer in silver writings and I I know that
looking in my own past and everything and thinking about therapy myself um it's one of those things
that I've thought of too of like taking well this this came from this and and I'm I think that you
you see not think I in studying these people and I know that you guys have two you see so much of
this in the backgrounds of some of our favorite entertainers our favorite comedians and everything
that they are able to do that I admire that I think that says a lot about the human spirit and
what we're capable of um when it comes to the show itself uh and and doing something like this
together I will get into that in a moment but I'm curious for you guys individually uh Assad I'll
ask you first when did you know this is what you wanted to do that this is what you love to do
that you okay this is going to be my path this is going to be my focus I want to do this you gave
us a little bit of that but it it sounds like those are when the ideas occurred to you or you
thought about it when did you feel like okay this is this is what I'm meant to do so they talk
in neuro linguistic programming about different people and how they take it into information so
there's the auditory is that taking in information uh these of these sound and then the kinesthetics
that taking information or the representation of the they represent the the prime representation
is kinesthetics through uh touch and then there's the visual types right that they just they're
attracted to things that are beautiful visually so for me I think one of the main ways that I
taking information is through sound so sound for me has always been I guess you would call my prime
representational system the way that I take in information the best so for me um when I was performing
and listening to the the laughs coming through it was incredible and that was something that really
stuck with me um and then the other part is like there's the kinesthetic which is um the feeling
right um a lot of people that are personal trainers uh people that work with their hands often
they are usually a bit slower when they have conversations they are in that they they're slow
when they're speaking and more measured um they also take in information again kinesthetically
through it more through through feel and you can listen to that in their language so there's
something called a synesthesia where there's something uh two representational system is getting
morphed so when I'm on stage and I hear that sound it also feels warm to me like a warm cushion
so I explain that's like a warm cushion of laughter like that is the best way like when you're in
the epicenter of that warm cushion of laughter it is like the best feeling on the planet it just
it's you feel like it feel like in the completely in the zone I feel at peace I feel very happy
so that's kind of when I think of what really drew me in was that warm cushion of laughter
yeah got goosebumps you say in that man yeah I felt that yeah uh for you Colin when did you know
this is what I want to do I um was planning on being a marine biologist and um looking back
on that I realized it wasn't through any um big level of science I just love to show flipper
I think I just wanted to play with dolphins so I would heavily into sciences and uh as I mentioned
earlier I was very shy and a friend of mine uh dared me out to try it for the school play I did I
got it and I got my first laugh and that was pretty much good by science I remember that moment
I remember the feeling and immediately thinking um what is it and I wanted all the time yes yeah
I got into a theater school and that I saw a demonstration of improv at that point in pub wasn't
really known at all um you know there are people like Jonathan Winters
or there was Jonathan Winters and thinking it was the only one at that point was sort of known for just
just sort of going off with whatever came into his mind and then Rubin Williams
uh a lot later than that so I was really um that really spoke to me that art form and that was
something I thought oh I want to do this all the time but I never thought oh this will be a career
because it uh there was no outlet for it we I mean we had a theater owner who very kindly gave us
a spot in his theater after the main show on the weekend so we had you know um
let the clock to one o'clock to do this improv thing and it really wasn't until whose line then
I thought okay now this is giving me the opportunity to do this all the time and this is really
I mean I enjoy acting it's a whole different muscle but I do enjoy improv I do and I love
not being able to blame anyone else if it goes south you know when you're doing television or
other things there's so many cooks in the kitchen from you know the directors the producers the
executives uh whereas on stage there's just new partners and if the show sucks it's because
it goes well it's because it's the cons of you and I like having that control of my destiny
yeah yeah uh it's really good uh this has been really good thank you so much you guys uh we are
through the first half uh thank you for putting up on my questions we're going to take a break real
quick we'll come back with Colin mockery Assad Maki about him proff coming to this Saturday the 25th
at 730 at the grand theater in Warsaw we're going to talk more about details of the show when we get
back here on WFHR's director's playhouse welcome back everybody to WFHR's director's playhouse
have your host James jmail off here i'm joined by Colin mockery and Assad Maki from hit proff
come into the grand theater in Warsaw this Saturday 730 so excited about this show you guys
want to dive right into the details of it with you and get into some uh just Q&A with the show itself
first off uh before we get into the details of it how did this come together this is uh two worlds
that you wouldn't normally see together but here we are how did this happen how did this come to be
believe it or not i reached out to Colin through his website with the idea of merging hypnosis and
improv together Jeff Andrews calls longtime manager picked up the email we ended up meeting we had
a conversation and then we threw it up on the main stage of the second city uh after their main
stage show that we didn't know if it was going to work we just decided to give it a shot where I
would hypnotize some volunteers and then Colin would improvise with them and low and behold it
was a hit and we ended up now touring the show 150 cities across north america six months off
Broadway uh six months at Harris casino and uh it's been a real pleasure to be able to watch the
show uh truly uh blossom it's taken on a life of its own we've had 12 improvisers in performing when
Colin's unavailable to perform we've had Mindy Sterling from the Austin Powers franchise we've had
Jonathan Mangum from Let's Make a Deal we've had Jeff Hiller from somebody somewhere the
list goes on and on so it's been really exciting to watch the show um blossom in that manner
that's great to hear so Colin uh for you when this first gap brought to you what were your thoughts
what did you think of this when you first heard it i thought it was ridiculous
i thought um how can this work and then i said yes um that was the three step program i
used in my career um it came at a time when uh you know i've been doing this for a long time
and one of the fears i have and still have is getting content in what i do and then not challenging
myself and making things taste and i thought you know what this cannot be more out of my uh
confidence um uh and working at people i've never met who are in a hypnotic trance and
not knowing truly not knowing what what's going to happen so um that kind of made it exciting and
you know when Assad and I walked on stage that first time we really had no idea if it was going
to work like absolutely not and that was very exciting for him yeah i can only imagine uh and you know
it's one of the things and i think you touched on this a little bit before uh you guys understand
as performers when you don't have a script when you're out there without a net the excitement of that
and how it almost feels like well you don't know what you're going to say you know you're
on an inside joke with your your fellow creators uh that the audience isn't in on that they're
going to be that that you're going to let them in on uh breaking the fourth wall to another
degree in some ways and then do to incorporate this part of it that just is such a cool and unique
idea uh and and we've see i forget the name as i'm trying to come up with it of course but i
think the great the amazing Jonathan um i think he combined some of these things at one point a
little bit but there there there hasn't anything been anything like this completely before
so can we get into the details of what the show is what can people can expect with the show
sure so i'm the master hypnotist on the show i bring up 20 volunteers i hypnotize them
wouldle it down to the best subjects then call them mockery from whose lines and anyway improvises
with the people on stage while they're under hypnosis to show its fast pace its action pack and
above all else hilarious because we got calling from whose line in improvising with some random
volunteers from the audience while hypnotized yeah and it um and and that i feel like is a perfect
description and yet only scratches the surface because i i've watched some of the videos and i've
done my homework on you guys you really do give a unique show you really do give there is no
reruns in something like this every show is going to be so vastly unique and different especially
traveling all around the country i can only imagine the different things that come up in different
parts of the world in different parts of the america here and all that that's got to make a real fun
part of this oh absolutely i mean what i love is every show is an opening and closing it's
that audience is the only people who's ever going to see this show and and hopefully i mean
obviously the main um the main point of the show is educating and it's funny and it's fun
by most people also realize a lot of people come into the show with misconceptions as to what
hypnosis is and i thought i could probably talk to that better but you'll learn not
changing these people's personalities um i thought it gets rid of that part of their psyche that
stops them from doing something that says you can't do this or you're gonna make a fool of yourself
that's gone and they end up being pure improvisers and every night it just
like i watch him put people under from off stage i go i don't know how this is working
it's probably not even think about it just go out there but it's fascinating
do you think that to that point i'll ask you both uh your your answers on this i'll start with you
aside do you think or rather find people to be more inclined to try improv this way because they're
hiddenized uh kind of uh taking their hands off the wheel and letting somebody else take them
and they're in the wheel yeah so the part of the brain that deals with self-reflection becomes
disconnected when somebody's hypnotized so they no longer reflect on their behavior they just
carry out my suggestions without hesitation and without question which makes for really good
improv first time improvisers as you know james they'll hesitate they'll look nervous
they'll use filler words none of that happens when people are hypnotized the good subjects they
will just immediately jump into the scene they'll be fully committed and it's like the audience
isn't really there they're just so focused on calling an i that they give just these incredible
performances um Colin what do you think yeah absolutely um every night we find a superstar
someone who um for what our reason just becomes like a great improviser lots of funny lines
and one night we had this amazing young woman and afterwards i was talking to her and she said no
i have her playing social anxiety i had no idea why i volunteered that was the best hour of my
life i've never felt so in charge of myself i never felt so relaxed so she would plan to go out
and find take improv classes find an improv troop and i thought oh okay you know that is not something
we thought about obviously when we're coming up with the show but the fact is it sort of
opened this woman to the possibility of improvising i thought that was really cool that is so
cool uh it's it's it's one of the things that i think you find for me i found i i got into comedy
and started doing things at second city because like you i watched the show when i was a little kid
and grew up on it but i as an actor i was able to really find my tunels in drama and in you know
action and all these different things but i was never good at comedy i think too much and i don't
think i don't think i was born with born with a funny bone i'm pretty sure i wasn't um second
city really helped me find that but the biggest thing that i think they they opened up to me was
so many people taking classes at second city or other like the ground links or other places
there i i i i had classes with attorneys i had classes with people that work in public service
that just wanted to feel more comfortable being in in the public eye or talking to people uh in
and part of the point of uh this show and the mission of this show is to certainly promote and
support artists artist supporting artists but the other part of it is encouraging young artists
and showing them the path and showing them ways that they can do this from other people who
have already established it it's part of the reason why i i asked those uh you know horrible
questions for you guys to put up with and and all of this is to give people an idea of
this can be done and so many people can do it and i think that this show that you guys are doing
just uh it almost cuts out the middleman you're just putting people up there right away and showing
you see you can do this too yeah i think it opens up to me to be about today's hypnotism
it just opens up all these possibilities for you yeah um uh to me if you're watching the show
that combines hypnosis and improv you could pretty much do anything anything is possible at one
point i'm sure someone thought well this will never work uh and it does um there's always there's
always going to be the naysayers sometimes the biggest naysayer is yourself and uh once you get past
that you know just go for it i always tell people you know take improv classes even if it's not
going to be an improviser by the way i highly advise you not to but it's a great life skill it's
great to be able to you know um walk into situations without any pre-judgment and just play it
as it lays and see what happens it it really is a great life tool and um i was i always
recommend take a take an improv class it certainly can't hurt you is there anything about the show
that from any the the touring you guys have done and in the success you have had with this already
that really stands out to you uh mentioned a little bit of some of the publications and pieces
that have been written about this uh the the out of the London times a celebration of the human
imagination that's such a great line and it's i think it fits the show so well are there moments
like that or are there times in live shows that you guys remember they're like okay this was fantastic
i will to i will speak about the New York Times reviewing us at the asylum we were uh that's
the improper asylum in New York City uh we were about to perform off Broadway and one of the
New York Times critics Jason Zineman came in to watch the show and i will tell you i was so nervous
before that show and i was nervous after the the interview after the show because i thought you
know this is kind of make or break because it's the New York Times and we ended up getting
the front cover of the New York Times art section and in it you know some of the quotes were
it killed and then the crowd erupted and laughter so that really for me was a pinnacle
for the show and for my career and to be able to do that in New York it just speaks of all
views about the show and uh you know i'm just so very happy to be a part of it all
Colin similar similar for you i'd be drunk from most of the tour
so i don't remember
no um yeah for me it's no it's it's just exciting to do something new it's i'm doing what i love
i'm out there improvising and it has that added uh layer of it's a different improv it's not
i'm not working with people i know so it's sort of making me hone in to what my improv skills are
listening and working with someone and knowing okay now i'm just going to sit back and see
where they go and now it's time for me to come and sort of lead a little so i think it's really
sharp to me improv-wise and kept me fresh which i really appreciate
yeah those are great notes too and i i think it's always great when you see somebody who is so good
at what they do and they continue to push themselves and want to be even better uh we can all learn
from that no matter what jobs we do or what we do with our lives uh sad i i could not thank you
enough for the time i i really enjoyed going down a rabbit hole of you and your your career
and getting to know a little bit more of you and that now i'm going to be a fan and follow your
career the rest of wherever you go and whatever you do thank you so much for the time man
oh thanks so much James Colin uh i mentioned rabble lambs earlier i i think and i think like a lot
of people rabble lambs is the greatest improv artist i've ever seen uh depending on which
whose line episode i'm watching it's either you or Ryan styles it is in the number two spot
there it's two or three you guys switch spaces all the time um in my head uh i i i i i cannot tell
you how great it is to talk with you and uh share this conversation at this time with you thank you
so much for it oh thank you that's very nice of you although you lost some points when you mentioned
style i should have i should have done that i knew i knew i messed up there i knew it but we'll fix
that in post fix it uh guys before i let you go we have a question that we wrap up every show with
it's a bit of a a tip of the hat to the inside the actor studio and James lipton in that
if you could have coffee with any historical figure who and why and i'll start with you asad
uh nothing mandela who just uh read his book uh years ago i can't it's uh
and it was just it was uh it was so incredible the the human spirit uh unbreakable and the forgiveness
you know he was just brutalized by the regime at the time and he was uh just incredibly
uh forgiving after his incarceration and i thought to myself you know why hold the grudge on it
anybody when nelton mandela was thrown into prison and was left there to rot and he comes out
and he figures out what out a way to to work with these people that did that to him i thought to
myself you know what that it just you'd be interesting to hear his insights and just sit there and
talk to him very well said great answer yeah callin how about you i was going to say the same thing
yeah he took her answer didn't he took her answer oh i'm going to go um i'm going to go with i'm
going to go with bob's hope um as someone who went through every version of show business he
started in baudville there's some sound movie and he could talk he could sing and he could
there's a great thing on youtube with him and um uh Jimmy caggy in the scene from seven little
boys where they do this incredible cat dance and i think oh yeah that was the time where you had
to do everything and i just to get sort of uh i mean i do feel kind of stayed in a little too long
and that's one of my worries so i would have said i think i left this hat to coffee say
what do you think you should have stopped doing this because you got to take your advice on that
i um i i really study mc's a lot i think bob hope may have been the greatest mc we'll ever see
he was such a natural at it uh and and that's a great answer it's fantastic this has been a great
conversation thank you both so very much we're gonna make sure you guys have a full house in a big
crowd at the grand theater this Saturday 7th 30 for hip-prop you can get your tickets at grand
theater dot com grand theater dot com and we'll be selling this show talking about it on our
morning shows and other shows as well uh guys enjoy yourselves break a leg out there safe travels
getting here we'll see you soon thanks for the time oh thanks so much for having us
thanks James thank you just a gigantic thank you to uh Assad mecky and Colin mockery for joining
us today talking about hip-prop fun fun time we just want to take this time to remind the audience
and not only does directors cut turned into director's playhouse with a bit of the revamp there
but this show has become more and more popular thanks to all of you out there and this show is made
above you so if you're an artist if you're a creative any type we want to hear from you reach out
to me james dot mail-off at civic media dot us you get a course direct message just on our
facebook pages call up at our front desk at 715 424 1300 any type of creative out there musician
comedian whoever you might be we want to have you on the show again thank you to the boys
for joining us be sure to get your tickets at grand theater dot com that is grand theater dot com
get those tickets for hip-prop come in this Saturday the 25th at 730 to the grand theater
right in was all Wisconsin we'll be back with another directors cut for you very soon right here
on 97 5 FM 13 20 AM WF HR we are locally grown radio
