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we're making
legislative decisions
to not
be recognized.
But if you don't share
all the space,
anything that not
this praises,
is a kind of most of us do.
That's nonpartisan.
We want
we want sustainable strong
futures.
So we then
support
what kids need in schools.
It seems like a no
But here we go with more
headlines,
and we're going to
find a way to help
us.
And I like to apply that rule
in general to humor to laughter
to joy.
You know, will we find fun
and funny?
In not so great times.
Of course,
we're going to poke fun.
We're going to make jokes.
We're going to find
humor where we can.
To help us not only cope,
but sift through.
So humor,
enjoy.
We're going to have some of these
topics that are to be quite
blunt.
Pretty grim.
We think about we know what's best
for children, yet we refuse to do
what's best for children.
We know how to support.
We know we need to support teachers
more.
Yep.
We don't do that.
Right.
And so it's like the story over
and over again.
If we don't have humor,
if we don't have more information
about it,
if we don't have conversations
about it, Jacob,
then what do we have?
So I appreciate your
great work in the show.
And your,
your,
your super power,
the Susurus.
Thank you.
Thank you very much,
Johnny.
I appreciate that.
Yeah, I agree with you.
It's good to have humor,
especially.
Even more so during difficult
and dark times,
that's the whole reason
there's gallows humor,
you know,
that you can be funny
in the worst possible place
you can think of being in the
gallows.
So it helps people get
through and I think it's
important,
not not mine.
I don't think what I do
is important,
but in general,
I think it's important
to have a good sense of humor.
No doubt.
No doubt,
man.
And,
and we,
speaking of humor,
something I laughed too
quite a bit as a kid
and still even find
enjoyable.
You guys were talking about
in home room,
great,
just to clarify,
clear the air.
Jacob was right.
I was just at a meeting.
So end of my school,
your folks,
even though I do some summer
teaching,
you know,
it is officially
summer break,
which isn't much
of a break.
We'll talk about that
teachers.
I call it the off season.
It's just a change in our
work.
It's not the same work,
but we're still working that
myth that the best part about
teaching is,
you know,
the months of June,
July and August,
because we're not in school.
That's just a myth.
That's part of the
humor.
We're actually in our
off season.
It's the time of year.
We're,
we could go to the bank during
normal banking hours.
We can,
schedule doctors
appointments during the day
without having to find a
sub cover for us.
You know,
it's the time where we're
retooling.
We're setting goals for our
learning.
We're rethinking about what
we're going to teach in our
classrooms next year.
What's something we might
improve or change about what
we did this year.
And in some ways,
we're letting our immune
systems catch up.
Because, you know,
those,
those germ factories of
classrooms out there.
We'll get back to that
Jacob,
because I get to work with a
lot of teachers.
I'm a teacher educator.
You know,
Professor,
also researching what's
the condition of
teaching in our school.
So talking to a lot of
teachers.
About their experience
the last couple of years,
especially this last school
year.
And I always ask this.
A very standard question.
And all my conversations.
I call them coffee talks.
You meet some of them
don't drink coffee.
We drink something else.
Like maybe a sparkling
water or, you know,
preferred a beverage of choice.
Couple of pop,
a couple of sodas with the
teachers.
You know,
but the idea being.
I ask him like,
Hey, let's talk about your
school year.
What are some great things
that happened?
Where's some stuff that
we're,
we're,
we're,
we're difficult moments,
challenges that you faced as a
teacher.
But also,
what are the things you're thinking
about?
What are your worries?
What are the concerns you have?
What are some of the things that
you feel are on the forefront?
If you could ask.
A master panel of other teachers.
Right.
What,
what you want to know more about.
Right.
That's not just new teachers.
I talk to veteran teachers
because the good thing about
teachers, Jacob,
I think you get the
question about that.
I think it's just a
little bit of a
great one.
It's just a little bit of a
little bit of a lot of things.
There's always learning.
Great teachers are always
learning.
That's why we're
teaching people to be
life-long learners.
I think this is true in
any industry.
The very best of the best
are always
learning.
Even the great say the greatest
hockey player.
I'm probably watching on the ice
in the last decade.
Conor MacDave.
And I said,
because it's playoff times.
I mean,
it's kind of unbelievable
because the great
teachers are always
learning, right?
That doesn't
mean they're back to school
necessarily,
but their life-long
learners,
like they're teaching their
kids to be.
So, we asked that question
of,
more about?
What are the biggest
concerns or the
kind of conversations?
A caveat, Jacob,
because I'm going to,
I'm going to,
I'm going to dovetail
into home-room question
that came up.
About using words like
teaching,
but I'm going to complicate
it a little bit more.
So, there are certain
industry terms.
They're not used to make
people think that,
that teachers or professors
are smarter than
the rest of the world,
but it is the science
and study of teaching.
That's what pedagogy
means.
It's the scientific practice
of teaching.
So, all the theories
that are connected to the
teaching,
it's sort of like if I said,
well, don't call it
biology.
Just call it science.
Right?
I mean,
like, yeah,
it's science,
but it is particular
kind of, you know,
set of practices
with science.
The other term,
I kind of throw
with that pedagogy word,
the study of,
right?
If we kind of do the
etymology pedagogy,
you know, the science
over the study of teaching,
is the term practice.
I'm not talking about
missing practice,
like AI, you know,
practice.
We're talking about
practice,
P-R-A-X-I-S,
practice.
That's when we are
doing our best teaching,
or even our worst teaching,
just teaching,
our practice,
but we're doing it
informed by theory,
informed by conversations
like we're having
here on Busted Pencil.
So, let's say we had
some great episodes this
year with, you know,
suggestions and curriculum,
suggestions for how to implement
AI into your classroom.
And when I'm,
you know,
listening to Busted Pencils
and thinking with Tim and
Johnny and Jacob,
or maybe it was just back
then, you know,
or one of our wonderful
guests,
and you're like,
well, that's a great idea.
Let me look that up a bit.
Let me read about it,
like good teachers often do.
And then you implemented
into your teaching.
That's,
you're engaged in practice.
Theory-informed practice.
And those are two terms
that I want to de-
intellectualize.
And what I mean by that is
I think intellectual work
is really important,
but they're
for everyday language words
for teachers,
like practice and pedagogy.
Right?
Now,
it's teaching,
but it's sort of the nuance
that they,
they're getting into the study
of our teaching.
The way,
none of our teaching is just,
hey, I'm going to walk
in the room and see what
happens with these kids.
You know,
30 little ones,
one grown up,
let's see what happens.
That's not what teachers
are out there doing.
They have a plan.
The plan is often informed
by different theories,
different approaches
to learning that have informed
them on how to structure
their classroom and their
teaching.
Right?
And they have,
you know,
a style.
Like, we have a game plan
when we go,
I mentioned earlier,
Connor McDavid.
He's got a coach.
He's got people teaching him
all the time,
even though he's one of the
greatest hockey players.
He's on the ice.
He's executing a plan.
He's engaged in hockey praxis.
Right?
Not practice.
Practice helps us be stronger
at our praxis.
But I'm talking about praxis
with an X.
P-R-A-X-I-S.
Right?
Bringing it,
like Terminator X
from one of my favorite
bands.
We'll get back to that.
That's a little,
little question.
See if Jacob nails.
Who was,
who was Terminator X,
the DJ for?
I know listeners out there
that are maybe around my age.
Know exactly who that is.
We'll come back to it.
We'll drop more hints.
But that's my trivia for Jacob.
If you can nail that by the end
of the show.
You aren't just the word
for Sores.
You are a man.
Yeah.
I'm going to need some of
those hints coming up.
Because I'm,
look,
Johnny, I'm not just chairman
of the boards.
I'm also half your age.
So you're going to have to
meet me where I am.
Okay.
Terminator X was the DJ
or a band frontman.
But I could say two people,
although I like to give sort
of theoretical credit to one.
Chuck D.
Public enemy.
You my man.
Public enemy.
Public enemy number one.
Yeah.
Yeah.
So phenomenal band still
doing the work.
Public enemy.
Chuck D.
One of.
I would say as a kid of the 90s.
I mean 80s and 90s.
But really coming of age in the 90s.
Becoming a teacher.
In the end of that great century.
Right.
Public enemy.
One of my teachers.
Chuck D.
For sure.
Teacher.
Artist.
Man, he just dropped knowledge.
You know,
we'll get back to that.
I digress a bit though, Jacob.
The context of practice.
You know, informed
teaching.
As we know about.
Like theory that informs our
teaching.
That praxis.
I'm calling you know.
How do we know about it.
We know about it.
Because we have the study of teaching
and learning pedigogy.
The study of teaching,
so people whose job is to study.
All these different things.
Do better in groups,
or whether we do better, you know,
individually, or maybe it's a mix
because kids have different learning styles.
How should we teach kids with different learning styles?
Let all falls under the umbrella.
Who figures that out Jacob?
The people who engaged in studying pedigogy.
The study of teaching and learning.
So I know Tim drop that.
Hey, it's just teaching.
Don't use that word.
I'm going to be like Tim.
Come on, man.
Come on, man.
Are we in another beef?
You always.
But also Jacob.
Tim and I always beef
because I don't always get the sarcasm.
That's one of my.
My kryptonites.
Sometimes Tim is being sarcastic.
And I think he's being serious.
And then I'm like,
those are fighting words.
Tim and he's like,
that's the sarcasm.
And I'm like,
Oh, listeners.
Now that went right over Johnny's head.
And he's all amped up about things.
But Tim.
But Tim and Jacob,
you guys talked about.
One of my favorite.
Favorite shows of all time.
Sesame street.
Right.
We did.
We did.
Yeah.
And, and, you know,
I think Tim, he's,
he's like,
he was saying, you know,
all the,
the accusations.
And he's not wrong.
The accusations of,
and I hate to do get into this
because I'm always.
Trying to find more complex,
nuanced ways.
Then saying,
well, the conservative media
or the liberal media,
like the polarize.
And you nailed it, Jacob.
We're in that so-called culture war,
which is real.
I hate to get pulled into its vortex.
Because on, at the end of the day,
it's so far from what all of us.
On the ground in our neighborhoods
and communities are actually experiencing
from one another.
Right.
It's so far from those.
It's so polarizing.
That it seems like it seems futile at this point.
But it's real.
And yes, there are, you know,
people on the far right thing.
Sesame street is a communist,
you know,
like it's trying to instill communist values
or whatever.
And,
and,
and you guys talked about Burton Ernie
and Robert Duckey and all the things.
But,
but they're not wrong.
I'm not going to say communist
because I think that's ridiculous
because it's obviously,
it came to its rise during the Cold War.
I mean,
I mean,
it gained its largest popularity
in the,
in the thick of the Cold War,
which I got to be a kid during.
And most listeners did too.
Right.
Unless you're younger and you're listening
and you're like,
Cold War, what's that?
Right.
That's before global warming.
Now,
warming was already starting up,
but something different.
It was sort of like a political battle
between,
you know,
capitalist democracies
and,
and, you know, communist experiments.
Mostly,
USA,
USA versus Russia,
the USSR,
and now Russia.
And, you know,
communism versus democracy,
kind of stuff.
And I won't get into too much
of the social studies details of that.
But,
but when we talk about sesame street,
I want to give it credit
because it was born.
It was a little mini history lesson, right?
It was born in the late 60s,
right?
Premiered, right?
In 1969.
I'll call that a nodal year.
Like,
holy smokes,
stuff that was happening
in this country in 1969.
Was paradigm shifting.
I know some of our listeners
are old enough to remember that
and you're like,
the late 60s,
especially in 1969.
Paradigm shifting.
In fact,
destabilizing in some context.
There were assassinations.
There were political fear.
There was a height of a cold war
happening.
There were a lot of discussions going on.
But,
when we think about
Sesame Street,
we think about something
that created in the late 60s
was,
was related to and born out
of President Johnson's war
on poverty,
which wasn't only Johnson's,
but it was a continued effort
as a nation to say,
hey,
we want to end poverty.
And,
and Jacob,
things haven't changed much since then
in terms of one of the things we know
is early childhood interventions.
Our wise investments
against two things.
Poverty and imprisonment.
Okay,
so this is by and large
and I know some folks,
a little older than me,
can probably say,
come on,
it wasn't so romantic,
Johnny,
there was disagreement
with that back then.
I know that.
But a large effort
from people in that era
to say,
let's end poverty.
Let's end childhood hunger.
Let's end children
in poverty.
And what could be an equalizer
in that schools?
Public education.
But what about,
for kids who are too little
to be in schools?
Well,
we need preschool programs.
Well, that's a little easier said
than done.
What can we do
to help educate children
who aren't in preschool yet
or who aren't able to get
to a good quality preschool
or can't afford those options?
We don't necessarily have that,
those widespread head start programs,
which also Jacob
are being cut
in the moment as well,
which is another
real blatant attack on childhood.
But you know what I'm saying here
is like the war to end poverty
is, say, invest in children learning
because two things go down
when you have early childhood investment
in their education and their learning.
Poverty, right?
Joblessness, homelessness,
these epidemics right now in our country
and,
and,
and presentment,
which we also know,
those things can flick
with a political agenda
to increase the number of people in prison
because it's been privatized
and it's an investment
as well as
to increase the number of people in poverty, right?
Which is,
which,
which let's be just blunt about this.
The current administration's actions.
I'm most into actions.
I don't know their intentions.
I'm not going to accuse them of their intentions
because they know their intentions.
In fact, they spelled them out for us in documents.
But I'll just stick to the actions.
All the actions they are taking show to me
that they want more poor people.
Not only do they want more people living in poverty,
but they specifically want more people
not only in poverty and locked into systems of debt,
but also,
they want to increase the number of people in prison,
which doesn't make economic sense
because people in prison cost more money.
Let's not even get into the politics of Johnny
basically being an abolitionist.
It's a little more complicated than that.
I mean,
I for a number of years spent some time thinking
like we should not have prisons
and I've maybe shifted a bit on that.
But I absolutely do not think that we should not
should have a prison industry,
a privatized for-profit prison system.
It seems antithetical to the goals of democracy
and rehabilitation and to acknowledging that,
you know, there are consequences for actions,
but it's turned in to profitize it a bit
to make it private has really,
I think, done an ethical turn away from democracy
in that context.
So, I mean, I'll get into that any other time
we can have a whole show on like the school
to prison pipeline or the prison,
prison nexus.
But the idea here being it costs.
I'm not an instrumentalist,
but an instrumentalist argument.
The cost to keep somebody in prison is way more.
Can dig up the numbers.
Few years back it was close to 30 grand
through the math.
Goals know to educate a child
in a public education system around,
you know, 12 to $18,000 is adequate.
We might even say a little bit more with inflation right now.
18 to 20.
Let's even be generous.
It's less expensive to educate a child
for a few years than it is to keep somebody
who's incarcerated in prison.
And we know we have statistical significance
around this.
That early education intervention,
your success in school.
Right.
Inoculates you.
From most likely being incarcerated.
Now that.
Jacob, I'll take out of the equation like extreme
social paths and like serial killers.
Sure.
That you know that the outlier case where someone
said, well, you know,
this prisoner has, you know,
college education and I, you know,
I do believe that there are some, you know,
dispositions and, and, you know,
and trauma is inflicted.
I'm not a psychologist.
Educator and educational researcher.
Some tangent to that stuff.
But, you know, that doesn't say that it's eliminating
all crime.
Just saying it's it's been shown to have statistically
significantly reduced.
The number of people who turn to crime.
Right.
Or who end up incarcerated,
which Jacob, if we've privatized prisons,
cuts into profits.
So these two things it's hard to ignore.
Why are we cutting Sesame Street?
Well, because it educates children and we've already
made classrooms about a field.
Let's make the living room of everybody's home.
Also a battlefield.
And that's one of the things that for ages people
were able to access.
As a supplement to their education.
Right and I'll get a little bit more into that too,
because I want to give Sesame Street some more props.
I loved hearing Tim Sing-Rubber-Docky.
My one of my favorite.
I was just talking with someone the other day of my other,
one of my other favorites was Grover's near and far.
Love that.
And then what did that.
You're like Johnny.
Near.
Wow.
Near.
You know,
I loved that stuff him running up near and then running
that far.
You know, the other thing being there was a waiter.
There's a fly in my soup.
Oh my god.
That's a classic line still often dropped at restaurants.
If you if you have a friend or you yourself are a server.
I spent some time doing restaurant work.
You know a good reference to Sesame Street when someone says,
well, waiter, there's a fly in my soup.
Right.
But nonetheless.
Sesame Street for decades on apology.
Unapologetically.
Was designed to have educational benefits.
In fact, studies show that children who watch Sesame Street were 16.
16% less likely to fall behind in school.
Right.
They also know that Sesame Street.
Remember it premiered in 1969.
And so this is why I want to give credit to the far right.
They do have opposition to this because it.
That's why I want to give credit to the far right.
That's why I want to give credit to the far right.
Sesame Street is not trying to promote communism.
But they absolutely were trying to be in living rooms in a way to help.
Mediate.
The importance of cultural representation of global.
Communities.
Right.
Like it.
Sesame Street intentionally committed.
To representation of diversity for minority children and families.
And so we need to really bring some back.
The community.
I think we should as well.
I think it's coming up to a multicultural environment.
Even if we didn't necessarily.
Live in a multicultural environment.
I mean, this is a gift to�.
Okay.
The world is diverse.
It's growingly multilingual.
But what if I live in a predominantly.
Monalinguo.
And everyone kind of looks somewhat similar.
I could say maybe a predominantly white community.
Nothing wrong with that.
Although we can get into sort of some sort of.
And here for all white communities are white supremacy in any context.
But said grow up in a.
You know, not in a city, which historically meant like rural.
Predominantly white or segregated communities.
Well, Sesame Street was integrating some of those ideas of like humanizing.
Our diverse cultures, dispelling myths.
You know, peaking curiosity in a respectful non-appropriative way.
For decades and decades.
They also like Mr. Rogers.
I'll throw him in there with PBS.
Addressed difficult topics.
Sesame Street, right?
They talk about death, divorce, racism, disability, all kinds of things.
You know, wants and needs.
I mean, as a social studies teacher, Sesame Street is like an early childhood dream.
For my students to have a connection to.
They've already had some foundational groundwork laid not just around their ABCs.
But around democracy, around neighborhoods, around community.
That's the whole idea of Sesame Street, right?
Where people kind of were different.
What got along navigated their differences, their emotions.
So like social emotional learning.
Right.
What's happening in Sesame Street's not only.
For kids, but you know, for adults, we're listening along.
And they're part of that conversation.
It's what I would call.
You know, a kind of pedagogy back to that science of teaching.
Right.
It's informed by the idea that.
To learn means we should be comfortable welcomed to the learning.
Right.
What more comfortable space than our living room.
Together listening.
With the fun of songs and puppets and everything.
But navigating things that were pushing like.
Like PSJ said, right?
That was our, or a Vigotsky, the zone of proximal,
proximal development, when we're in that little bit of uncomfortable space,
like a new idea.
Change helping facilitate that change in a really welcoming way.
Sesame Street.
Providing that sort of critical pedagogy.
That shifting and changing how we see the world.
Through inviting us into a conversation like Tim does when Tim says.
Hey, bus depensals.
All of you.
It's about having a conversation with our neighbors, right?
That's what it's about is being we, I'll use a big word because I'm not anti-intellectual.
I think blue collar scholars.
Like Jacob, you said, we're, we are word the sources.
We love words because words are what we have, right?
When we talk, right?
Certain words ought not to be only able to be used by people who have mastered only the Queen's English.
So I'll, I'll use some big words here.
Good teaching should be ontologically welcoming in epistemologically challenging.
And what that means, Jacob, is that ontologically, we should be welcomed where we're at,
acknowledged for who we are.
The cultures become from all of you.
All you listeners, like you should be able to learn where you're at.
What's what you're comfortable with?
And sometimes that learning could shift how you think a bit.
It should get you to think, what are the foundations of your thinking?
And so Jacob, it should not be surprising to us that this current administration wants to end,
not only Sesame Street, but this kind of effort through public broadcasting.
And you mentioned that Jacob, you said seems to be consistent from conservatives around the world.
Because, you know, the end goal here is to limit the possibilities of people engaged in that ontologically comforting epistemologically challenging work, right?
We don't want communities.
Now, I say we're not me or you, Jacob, or most of our listeners, but the people advocating against something like Sesame Street.
It's not that they're fearing communism.
They don't have a communist country here in the United States and just never going to happen democracies that antithesis of communism.
And we're going to have strong local involvement here in the US.
It's just kind of why we over threw a king to have a revolution in a country, right?
We're not going to go to a dictatorship anytime.
I don't fear that.
But we are losing democracy in a lot of ways.
And to me, Sesame Street embodies the kind of learning that values democracy.
So is Mr. Roger.
So there's a lot of other shows.
It sort of was the litmus test, much like civic radio, civic media radio, right?
Saying, hey, we are committed to democracy.
We are also committed to local radio refreshed.
Like saying, hey, how can we have content that's ontologically comfortable?
Welcome to the show.
This is a bust of pencils.
Got some blue collar scholars here, which Tim and I most certainly are.
And Jacob, you fit into the mix quite well.
Appreciate having you here.
You're a good, you're a good fit for our listeners and for us.
But you should feel comfortable and welcome here.
But I also know that at times we're going to push you to think, Tim and Johnny,
sometimes I'm going to disagree.
You know, we're going to beef a little.
Jacob's going to say, whoa, guys, hold on.
The three of us might disagree.
And that's okay.
Because that's part of being in a democracy.
Absolutely.
Love being able to kind of go off on a tangent today for class and session.
You know, it was a, it was a blitzkrieg of commentary from me.
Jacob.
So thanks for having me.
You know, man, the station today will be back.
You know, with, with Tim and Saddle.
Tim and Johnny and Jacob back in the saddle soon.
So listeners, thanks for listening.
And now it's time for your moment of zen.
Objectivity is not desirable.
Because if we want to have an effect on the world, we need to emphasize those things
which will make students more active citizens and more moral people.
Hey, thanks for listening to today's busted pencils class and shot session.
Lot of hot air from Johnny.
We'll get back with Tim Johnny and Jacob soon.
You can always grab great podcasts like this one.
Just search busted pencils on Apple podcasts, Spotify.
Of course, you can always find us on the civic media website.
Forget at us at busted pencils dot com.
Hey, and don't forget you can find us throughout the week every Monday, Wednesday, Friday with home rooms,
classes and session and always loads of fun to wrap up the week with hurdles and home runs.
Listen up pencil busters.
I know some of you know it, but if you don't, now you will, you can always catch busted pencils
at 3 p.m. Central time across all the civic media network stations.
For an hour of your favorite blue collar scholars.
Tim and Johnny, at Keep Busted Pencils.
Thanks for watching.